resolve 23

reading

(speech) less

ordinary lips "but

tonight," suppressed

attention wall

(s) anxious (ly)

smooth hand

rubs between

legs "brown

leaves left" lines

up reveal

hand diminish't face

"others understood"

resolve 22

holding

single pieces

(glass) “surrender, timing”

tubing tighter

(act) ‘tion

“finger switched, again”

pumps and jerks

(tied) “placing one

over another”

apparent (and) “ranging

‘plications”

basket full

(ness) bled (ing)

resolve 21

“towards,

covering thin” 

support leg front

forward (back up)

counter “constraint

shifting to”

disappearing vertical

(‘vealed) view

roof top

“film digital, blanks”

use approach

sweep out

(ward)

“in to hands”

resolve 20 - for hay(na)ku poets 

currents

‘ticulate (up)

shaped made “making

word, a words”

following scraping

toe (to)

superseded

“no big”

clumsy (desired)

(t)

“words, no big”

match (super

cede) 

elbow out

cause skin hang

(ing)

resolve 19

capillary

(to) artery

warm (ing) suffer’d

edge away

“we, nothing means”

headed jerking

walking

central St.

towards Alameda

(moon)

strike wheel

(balance) aluminum

basket

“another one,

cooked rare” drip’t out

resolve 18

“thought,

static hell”

green pants shoe

primitive (primitive)

inner thigh

up rubbing

“endless

night, banded

back” inject’d

(riddle) intermediate

soft coat

sleeves (over)

“syrup

is runny,

at” febrile

deserted (particular)

resolve 17

turn

(away) mudhole

backwards slip (ing)

misty night

“it’s not receding

only” thick

lace’s tight

(en) “let’s

go” conical

core (ed)

“over mountain tops”

step

(back) movement

“as extinct”

attempt (d)

ah, haven't posted much lately, music, poetry, work, shit, it's all a pain in the ass, (and the complaining never stops) however... the new Otoliths is out... please take a look, especially Rochelle Ratner's work! The rest is pretty fucking incredible, I think... cheers, harry

click on Otoliths (I realize it doesn't change color as a regular link)

Otoliths 8

>>>> from Mark Young

It is with both pleasure & sorrow that I announce the going live of issue nine of Otoliths. The pleasure is because this issue marks the beginning of Otoliths' third year, & once again contains a great variety of text & visual work. The sorrow is because Rochelle Ratner, a frequent contributor to this journal, passed away on March 31st. I'd like to dedicate this issue, in which she has new poems, to her. In this issue are Rochelle Ratner, harry k stammer, Adam Fieled, Bill Drennan, David-Baptiste Chirot, Joel Chace, Michael Farrell, Reed Altemus, Andrew Lundwall, Douglas Barbour & Sheila E. Murphy, William Doreski, Duane Locke, Stu Hatton, Joe Balaz, Jeff Harrison, Raymond Farr, Esa Mäkijärvi, Bobbi Lurie, Julian Jason Haladyn, Simon Perchik, Suzanne Grazyna, Eileen R. Tabios, Diana Magallón & Jeff Crouch, Jeff Crouch & Matina L. Stamatakis, Thomas Lowe Taylor, Glenn R. Frantz, Angela Genusa, Randy Thurman, Philip Byron Oakes, Mark Cunningham, Geof Huth, Andrew Topel & Jim Leftwich & John M. Bennett, John M. Bennett, John M. Bennett & Luigino Solamito & Sheila E. Murphy, John M. Bennett & Scott MacLeod, Scott MacLeod, Robert Gauldie, Adam Strauss, Marcia Arrieta, Elizabeth Kate Switaj, William Allegrezza, Ernesto Priego, Ed Schenk, Irving Weiss, Mary Kasimor, Christopher Major, Derek Owens, Paul Siegell, Daniel f Bradley, Daniel Morris, Steve Timm, Mary Ellen Derwis, Thomas Fink, Louise Landes Levi, Toni Simon, Martin Edmond & Kirsten Kaschock.

resolve 16

"remind me why"
hearted crumble
(ing)
leaves cornered
"no time
to rot" behind
blowing (out)
contradict'd down
"windy, here,
windier"
legs back
(covering) outlined
(some sort of)
background baring
body

resolve 15

warm clear (dry)
rejected
"it's visual
and discernable"
first half
(then) or schedule
shift (d)
"or evolving,
blurred" open
tips brick
absorbs
"another invention"
group (s) dead
tracked
(dead) brightly