terror 34

de (eroticized) 'tion hand pushing up leaning
over "you here?" such division

fragmented sand handful entry odd door
opens(s) "hi, you want a blowjob?"

yesterday (times) compact (ed) 'osits

noiselessly 'ference 'tricate gets up
and looks around focused view (small)

rat out/in garage doors closing slam

shut (rat in/out) "how, then change the
streets?" attention boiling butane lighter

water/spoons practicality 'less "ends it" newer
former leaves over laid no pile

"the same" opposes 'ference 'oticized finger'd

up/around pushed "here, I am."
ending squared window (look) it's I/me

lowering elbow face down jacket reeks     

terror 33

relation (ship) 'cularly 'version pulled since "all

of these" got stuccos 'penetration

halo(s) nearer wakes up head to

wall plastic ties (kinds of questions)

"gimme, gimme" written

two lines "my" so

that "self" text

(ual) 'volved

evidence 'eational

"might have" into palm

'citation spread

thumb rubbing

(fore) finger

brake screech back up note disappears then

enters into

opening the left

door "head up,

get it up!"

'ticularly there walls against't hands tied

back center given "it's another way into,"

what aim way wall broken

painted blue (baby) "go on 'champ,

do it" given its syntactic 'jectories

Listenlight 04  is now live...

terror 32

terror 31

"eating peanuts, drinking tequila"

nothing will 

bring (a) cat back (vertical to horizontal)

both (motorcycle & car) slide

frame nose minute up against dropped

fifty feet spread over 3 square

feet "the confidence," head neck shoulders twisted

back steadily light bulbs "not

checked or rechecked" doubled 'eption noting

receiving 'dentious "a gamble, I know"

flex'd passing verb(s)'al 'sual 'sical unexpect it

"why, it's never unexpected" themselves

dead fly five minutes suggest review(non)

peanut shells "approach fallacies, elements all

'junctions"

'cident (junkies) sky from a smaller

opening up's checking forehead (noting)

room opens doors into 'vation "doctor?"

terror 30

terror 29

"in this world(s)" time all

having (periods) oscillations worked (vain) in
invisible clouds't all "is this the right

door?" intent (ly) "baby?" thigh trust

ankle bracelet (read) "quality" back

ward intricacies(s) elbow skin leaning against
"or any other works" exit'd before 3rd

palms up (back down) eyes up

chin up stairs red face

through black coats "this world is"
four people corner left turn car white

face watching (associative) "huh?" connects 'tirely

cost right door opening ankle

flash envelope 'llations barking (sub) loss
lost unless thigh knees "stay where you're

visible" face turns "barking, there it's"

Issue three of Otoliths has just gone live at http://the-otolith.blogspot.com.

Like the previous two issues, there is a diverse mix of people & styles. Issue three
contains work by Ray Craig, Jordan Stempleman, Jeff Harrison, Andrew Topel, Corey
Mesler, John M. Bennett, Reed Altemus, Lars Palm, Jesse Crockett, rob mclennan, Pat
Nolan, Jenna Cardinale, Rochelle Ratner, Ian Finch, Paul Siegell, Thomas Fink & Tom
Beckett, Ay?egül Tözeren, Glenn Bach, T. Walden, Tom Hibbard, Raymond Farr, Aki
Salmela, Jill Jones, Nico Vassilakis, Kirsten Kaschock, Martin Edmond, Eileen Tabios,
Sheila Murphy, Rebeka Lembo, Jonathan Hayes, Jenny Allan, Geof Huth, Kevin Opstedal,
Adam Fieled, Derek Motion, Caleb Puckett, Scott Hartwich, harry k stammer & Serkan
I??n, & has a cover by Michael Rothenberg.

terror 28 - variation -   yyyyyyyyyy lee - Mark Young

terror 27

"arise and drop't" thumbnail little 

finger (stated) exactly opposite orange cones
lined (particular continuity) hand up fingers wiggling

"gimmegimmegimme" waving 'lizing over 'anating line

across the forefingers(s) "just, complement
combined'd controlled" (operari) intention(s) grasping hand

pole lights "come in" 'visage parallel "chances

are, you won't say it" green

plant shadow shadows tenderly 'present

reach out pole "gimme" take another
pole "dropped" hands pockets working finding orange

cones (lit) "give me" labored labor

knuckles (activity) blood to nose

wiping "you see, gimme gimme" language
allows independence followed wiggling wave "expect it

all" dropping't scratch grasp at 'lize