Issue three of Otoliths has just gone live at http://the-otolith.blogspot.com.

Like the previous two issues, there is a diverse mix of people & styles. Issue three
contains work by Ray Craig, Jordan Stempleman, Jeff Harrison, Andrew Topel, Corey
Mesler, John M. Bennett, Reed Altemus, Lars Palm, Jesse Crockett, rob mclennan, Pat
Nolan, Jenna Cardinale, Rochelle Ratner, Ian Finch, Paul Siegell, Thomas Fink & Tom
Beckett, Ay?egül Tözeren, Glenn Bach, T. Walden, Tom Hibbard, Raymond Farr, Aki
Salmela, Jill Jones, Nico Vassilakis, Kirsten Kaschock, Martin Edmond, Eileen Tabios,
Sheila Murphy, Rebeka Lembo, Jonathan Hayes, Jenny Allan, Geof Huth, Kevin Opstedal,
Adam Fieled, Derek Motion, Caleb Puckett, Scott Hartwich, harry k stammer & Serkan
I??n, & has a cover by Michael Rothenberg.

terror 28 - variation -   yyyyyyyyyy lee - Mark Young

terror 27

"arise and drop't" thumbnail little 

finger (stated) exactly opposite orange cones
lined (particular continuity) hand up fingers wiggling

"gimmegimmegimme" waving 'lizing over 'anating line

across the forefingers(s) "just, complement
combined'd controlled" (operari) intention(s) grasping hand

pole lights "come in" 'visage parallel "chances

are, you won't say it" green

plant shadow shadows tenderly 'present

reach out pole "gimme" take another
pole "dropped" hands pockets working finding orange

cones (lit) "give me" labored labor

knuckles (activity) blood to nose

wiping "you see, gimme gimme" language
allows independence followed wiggling wave "expect it

all" dropping't scratch grasp at 'lize

terror 26

coded (you think) context (us about) not
"this warm foot" under two

socks "be no wire walls, then" notice

rigid (same time) explore left hand

reaching back careful around (nail scratch) obvious
'trinsic in where rubs 'tioning

volume "explore by" 'sorption opposed will

(that's) in 'standing appears "you see?"

terror 25 - variation -  N docrine - Mark Young

terror 24

nails "no, scenic, forget't" dances 9th

for low reflected Hill that (s) perfect

apprehend toes lightly 'tigo up/down

strained jump front hand waves finger (little)

"much very, taken that" to scratch out talkative

person many speaking me/I tug'a'war "none"

('ception different place 'easure form

rub't brick rubbing finger index) (for: )

brightness one

terror 23

useless beginning "what's the personality?"
confusion living greatest during the door opens
proximity .0005 millimeter obstacle hand down
hands screen 'work nothing exposed inference
leg over left pulled in
toes stuck hooked wrapped paper hat firmly
attached "the personality?" real (useless) flat
out back sidewalk (passion) plus long
nails "you wouldn't wonder any
more," structure round'd pat & tie it's
negative (colder) falls balance linked
"slept ok last night" rats running full
speed (exteriors taken) "say?" car 
door opens step step step 'bility longer
nothing (camera view) criteria unsteady "or
again" pushed picked up out "what?"

terror 22

"hey, sentences don't work that way"

smoke some wind machinery large wheels
bus chased dull hear level effect (of)

meaning step to to back

back over "unidentifiable'd blessing this, too"
stacking box property ruled grab (s)

variable quantity 'less using (mention) words (between)

by wording "take care, miles"
blowing water nose back head down

peeled ears filled (chance brings it

up) "fear in extremities" look (devil sits
outside) "thank you, sir" tether'd

working crane lifting outside condensing point

"skip it when, ends" secure serving sententious
(ly) "hey!" rising up trash full bin

(sniff't) feature smooth granite hands

terror 21 - variation -    O pine - Mark Young

gamma ways

terror 20

immense ("that failure") new give tape

between fingers "taped, index finger against
middle" stupidity somewhere blinking light stand (ing)

"spshsh;on spshsh;off" sneezing

three times "spshsh" 'ctity (time to) places

"I hear your name" returning (other

subjects?) orange sun (up) digging deep (er)
between (as between(bus loads)

fifth & wilshire) spshsh's orange light

points waving hands 'cularly "is it
bigger than you remember?" no remember rubs

now lined 'posed (speeshee) take

it little finger in boot heel

scratching blink two "spshsh" sixteen box

under waiting (waits) fourtimes 'fied since 'rived
immense'd finger taping no middles