'everish

 t'1'4

one walker taped legs 3 bags
asleep after stepping slowly stack
ed on a bench (zipper eyeing the sidewalk)
objects two three and four
"another subject dead" since

4am since re appearance
luckier today bound in/up 'ma
gination "I got a new label
ed shirt" pull up the cloth
[smile] wet eyes 'jectivity

street to wall to back hand skin'd
it fever 'ished now effects (a)
'anism anti thing every's tree
to 'vent from pot handle
claiming "subjects reach out, again"

and again 'lusions concern holes
and pupil'd 'ience watching in
sert taken out dropped through repeat 'quently
"that's depletion, yet"
't meant standing in front of

walker ed in objects a bank
(to zipper that eyeing sidewalk)
two recorded the feet 3 asleep bags af
ter to step on slowly
the stack dead" three citizens

and four to "another since they
4am since that re gination bound to
day more fortunate in/up 'ma appearance
"I started one shirt" new
ed label to pull for top

wet eyes 'jectivity to be
dressed [smile] street wall to support hand
skin'd that fever 'ished effects (a) now
tree thing every's 'anism
anti 'vent "subjects demanding

fist guide reaches for, again" a
nother time punctures interest 'lu
sions and pupil'd 'ience give attention in
sert removed had left
fall with depletion repeat

'quently "that's, yet" meant position
't front of

'nos't'

 t'1'3

"no past, at all" parking lot charge
'd vision't feelings world home (isolate
't) 'rupted 'sures peculiar R's breakfast
"ain't it process?" in
of that act(s) where secure

ly forgotten (past ed) contin
ue (casares) "lights on" [mountain fog]
it is 'herent acting dropped through "come on
again, some one's here"
talk bound (reason says it's)

not past "at all!" no ephem (er
al) "pushed to extremes, we wait,
pushed to 'lipsistic we wander" ing
sing [me under it] at
all creation'd self'nd

lost now seducing then 'sidious
ly walking tended repeating walk
R's looked corner building one up 1st oth
er Grand slipped view ing
"in fact, is evocated (tion)

"no after, in all" small pecu
liar lunch home "ain't world (I
solate 't) 'rupted 'sures R's feelings load 'd
vision't lot parking
it process?" this act(s) where safe

(after ed) on "forgotten ly
them" lights continue (to marry) [mist mountain]
is 'herent that it acts fall through "come on a
nother time, here" some one's
limit saying (the reason

says it's) not after all! none ep
hem (er al) "pushed to the extrem
ities, waits, pushed for 'lipsistic wander"
ing sings [me under it]
all creation'd self'nd lost

seducing walked one repeat
ing tended walking R's 'sidious
looked building sings one above fact slide great
"in sight oth er, is ev
ocated" (tion)

ear't'a

 s'1'2'

P's confused (can't) dream respon
sible candle head(s) ing "writing
it" crossing himself five carts lined up role
ed fruit & bread fifteen
pairs (pants tied) shirts six consid

ered "great, don't mute, not now"
selected structure 'tivist "I've
pulled weeds, and rocks..." not moved't saying
source 'perienced 'sics
uttered as 'nist "four wheels on

six legs" brought pooled about
'totype ing't two to a line't
initiated (dropped over the freeway
bridge) down't for the new
ones standing light bike crossing

"on the fucking sidewalk!" where'st
considered a [understanding
a factor(s)] parents drove by yesterday
seeing 'lity reaching
linking what reflects 'ive's

P's confused (can't) it writ
ing ideal ing sible head(s) can
dle respon crossing five cars lined up
above fruit & the bread ed

paper fifteen (moor pants) pairs con
sid shirts six ered "great, mute don't,
not now" the selected structure 'tivist "I've
pulled harmful grass, and" 
rocks... not moved't that 'per

ienced says the source 'sics express
ed as "four 'nist wheel on legs" six brought
pooled on 'totype ing't two to one line
't (left fall on bridge freeway)
down't the news that sidewalk!

"is the crossing clearly, bicycle"
on where'st considered parents
[that it understands one factor(s)] directed yes
terday seeing 'lity
to reach binding what reflects 'ive's

eye't't

 s'1'1

looks up 'elfvitiating stomach
to intestine "speaking" un 'xpect
ed J's wake full (er) 'nism across gravel
waged (ing) "pull up the
water!" = fear as 'ness'd

dry wind and inject dark (night) light
noon "we need him to tell" 'deration
car floats pulled when [language] said stops "telling us"
losing accompanied
sense 'ximity progression

outcomes (ing) parking 30 mph "turn
left on San Pedro" from minus fear
easy chaos (growing feet) "eased up" [and
a] settled newspaper
box finger in finger out

"pair of jeans" intersection "not
how I remember it" due to cold
outcome GSD police head over down
arms back in (traded with)
subjectivism "thrown up"

looks at above the stomach 'elf
vitiating to "speaking" intes
tine vigil (er) 'nism full un 'xpect ed
J's through gravel under
took "pull (ing) above water!"

= fear as 'ness'd dry wind and
injects (night) "clearly dark noon needs it,
tell" floats car 'deration had pulled when [lan
guage] said that "telling
us" followed progression

losing direction 'ximity
results that park 30 mph "turn left San
Pedro" easy chaos negative fear (in
creasing feet) "eased up"
[and] established finger

box periodical finger
is to "pair, jeans not intersection, I
remember it" had cold policies result
directs the excess arm
ed for stops backward (nego

up intestine J's(ing) = wind we floats accompanied

tent't

 't 10

'phrenia choice 'cised
'nt flat stucco 'flection't 'gressed
remain(s) tion "car and dog" racing forms "beat to
the orientations'
here" P reaches (pocket) it

's door block yellow (lined) 'pate
antici'd [dis em bed] me et
"shoes jump out, here is" 'tistic 'cratic how is
it allocat'd? "uh?"
did expect an advantage

unclear it' way (s) 'ting in
P (looks at you) eye as eye's nois
y "waiting hands" skinned stand ready made 'pro
bable "lying in the
back" put up as difficult

"really? Failure? one to..." most
would see it "hands as hammers, arms wrench
ed" 'ter 'uation is 'ble 'king 'ed 'gical
P paints the wall with sa
liva 'normal subjects are"

tion smooth remain(s) stucco 'flection
't 'gressed choice 'cised 'nt 'phren
ia to "car and dog" competing "beat forms
to orientations'
here" P reaches it (pocket) the

yellow block door 's (lined up) 'pate an
tici'd [bed one in dis] me et
"shoes jumps, here is" 'tistic 'cratic as is al
locat'd? "uh?" it waits
an advantage it' to un

clear way (s) 'ting eye P (looks in you)
as hands waiting nois y eye's peeled
stand 'pro made "lying soon bable ing back" puts
as difficult "really
above? Imperfection? one... "

the majority IF it "hands
as hammers, set ed" key to 'ter 'u
ation paintings that 'ble 'king 'ed 'gical P
wall with 'normal liva
sa subjects are