s'1'2'

P's confused (can't) dream respon
sible candle head(s) ing "writing
it" crossing himself five carts lined up role
ed fruit & bread fifteen
pairs (pants tied) shirts six consid

ered "great, don't mute, not now"
selected structure 'tivist "I've
pulled weeds, and rocks..." not moved't saying
source 'perienced 'sics
uttered as 'nist "four wheels on

six legs" brought pooled about
'totype ing't two to a line't
initiated (dropped over the freeway
bridge) down't for the new
ones standing light bike crossing

"on the fucking sidewalk!" where'st
considered a [understanding
a factor(s)] parents drove by yesterday
seeing 'lity reaching
linking what reflects 'ive's

P's confused (can't) it writ
ing ideal ing sible head(s) can
dle respon crossing five cars lined up
above fruit & the bread ed

paper fifteen (moor pants) pairs con
sid shirts six ered "great, mute don't,
not now" the selected structure 'tivist "I've
pulled harmful grass, and" 
rocks... not moved't that 'per

ienced says the source 'sics express
ed as "four 'nist wheel on legs" six brought
pooled on 'totype ing't two to one line
't (left fall on bridge freeway)
down't the news that sidewalk!

"is the crossing clearly, bicycle"
on where'st considered parents
[that it understands one factor(s)] directed yes
terday seeing 'lity
to reach binding what reflects 'ive's

eye't't

 s'1'1

looks up 'elfvitiating stomach
to intestine "speaking" un 'xpect
ed J's wake full (er) 'nism across gravel
waged (ing) "pull up the
water!" = fear as 'ness'd

dry wind and inject dark (night) light
noon "we need him to tell" 'deration
car floats pulled when [language] said stops "telling us"
losing accompanied
sense 'ximity progression

outcomes (ing) parking 30 mph "turn
left on San Pedro" from minus fear
easy chaos (growing feet) "eased up" [and
a] settled newspaper
box finger in finger out

"pair of jeans" intersection "not
how I remember it" due to cold
outcome GSD police head over down
arms back in (traded with)
subjectivism "thrown up"

looks at above the stomach 'elf
vitiating to "speaking" intes
tine vigil (er) 'nism full un 'xpect ed
J's through gravel under
took "pull (ing) above water!"

= fear as 'ness'd dry wind and
injects (night) "clearly dark noon needs it,
tell" floats car 'deration had pulled when [lan
guage] said that "telling
us" followed progression

losing direction 'ximity
results that park 30 mph "turn left San
Pedro" easy chaos negative fear (in
creasing feet) "eased up"
[and] established finger

box periodical finger
is to "pair, jeans not intersection, I
remember it" had cold policies result
directs the excess arm
ed for stops backward (nego

up intestine J's(ing) = wind we floats accompanied

tent't

 't 10

'phrenia choice 'cised
'nt flat stucco 'flection't 'gressed
remain(s) tion "car and dog" racing forms "beat to
the orientations'
here" P reaches (pocket) it

's door block yellow (lined) 'pate
antici'd [dis em bed] me et
"shoes jump out, here is" 'tistic 'cratic how is
it allocat'd? "uh?"
did expect an advantage

unclear it' way (s) 'ting in
P (looks at you) eye as eye's nois
y "waiting hands" skinned stand ready made 'pro
bable "lying in the
back" put up as difficult

"really? Failure? one to..." most
would see it "hands as hammers, arms wrench
ed" 'ter 'uation is 'ble 'king 'ed 'gical
P paints the wall with sa
liva 'normal subjects are"

tion smooth remain(s) stucco 'flection
't 'gressed choice 'cised 'nt 'phren
ia to "car and dog" competing "beat forms
to orientations'
here" P reaches it (pocket) the

yellow block door 's (lined up) 'pate an
tici'd [bed one in dis] me et
"shoes jumps, here is" 'tistic 'cratic as is al
locat'd? "uh?" it waits
an advantage it' to un

clear way (s) 'ting eye P (looks in you)
as hands waiting nois y eye's peeled
stand 'pro made "lying soon bable ing back" puts
as difficult "really
above? Imperfection? one... "

the majority IF it "hands
as hammers, set ed" key to 'ter 'u
ation paintings that 'ble 'king 'ed 'gical P
wall with 'normal liva
sa subjects are

ident'tfoot

9 't

(er) internals multiply "please
step back from the street" dis harmony
an (chromatic) a J's finger speaks up "I'm
so tired of it" root
ed spoken in tense less each

(s) mono syllable 'pathy
J mouths it "cacophony, ca co
pho ny" ca ca phon [never new]
"beating on your door" a
mo ment a while walking a

way hiding under "shit, build
ings, rain" context identity trash
ing 'olitics dropping "push that cart, that gro
cery cart, it's plastic
and rolls faster [sung in 2]

or 3 framed or bagging one
although't identified but not brok
en from't "she died, in her sleep" last night no
'cation pull fingers while
ed 60's (windcold) smile (ing)

(er) internals multiplies the
back part stage "please street" the harmony dis
(chromatic) a finger J's speaks above
tire "I'm thus it" root
ed said in the time but each

one (s) mouths mono syllable
'pathy J it "cacophony, ny"
pho ca co phon ca ca [never new] that "beating
in its door" one mo ment
one while walking way that hides

under "shit, ings configuration,
rain" push leaving to fall ing 'oli
tics garbage identity context that cart, this
car cery gro, plastic
it's and coils [sung in

2] and 3 had more quickly mold
ed or bagging one although't i
dentified but "she to it en from't brok
did not die, in its sleep"
last night fingers traction 'ca

tion when smile ed 60's (windcold) (ing)

eye't

s8 t't

described (outward street into)
J's eyes building (s) flat "it's not that
I would it other" to a friend in
volved with 'ssocia
tion walls around ficus trees

"get up your anomaly (s)" or
der them up around 'the block' go sing
ing "save me tonight, not in itself things a"
pproach 'plicity bot
tom 'ntonic 'oid'd

framed J's mind blank rectangle
plastic cup clatter wind flat two square
'irectness goal "says, you" category less
'nvity loosened
'spectival sensitive says

"acne scars, left" what was that cut
edged rolled (ing) into dimen
sion(s) "stay with me, you gotta" moment when stand
ing J rests breath in hand
bench air condition

(external street in) described
J's eyes smooth building (s) "it's not
that I it other" a friend 'volved inside
with the walls tion 'ss
ocia around the trees fi

cus "get above its anomaly (s)"
or give they around 'the block' "saving
to night go sing me it today, not a" thing
tone 'ntonic 'oid'd
'pproach 'plicity bot plas

tic wind two 'irectness clinked
cup rectangle blank space mind J's "says
squared smooth picture objective, you" cate
gory that less 'specti
val loosened 'nvity sen

sible says scars "acne, left" what
it was that the cut sharpened roll
ed in dimen sion(s) "stay with me, you gotta
ta" moment where J stands
rests conditions benches air banks breath

share't