t.1...4... .

t.3.0.4

oh jeez "Eliot’s symbolism is almost complex" rituals eaten after

(after) location on "filming 3am 4am 5am" bunch'a cars up

and down "feet bouncing, remember?" smelling the back 'sizzling' dull

"you don't walk blankly, do you?" no almost whole block

lit'up numbers one yard between lines sidewalk ing north in

"it's pull up the pants and walk away, way, AH!"

struck off dis course it heading to a bus stop

hands in out "holding a large role" in out "forme"

smiling "forme" for conscience food no send yet suggest net

holding cuffs above shoes before thinking "pull up, pull!"

14... 48... 22... 56... 31... 06... 39... 14... 48... 22...

57... 31... 06... 40... "I don't know why" assumptions not

values per 'bism as 'rism as 'da one device on

another figure 'ation "you know" begins with names opening out processed

whether "pulled up" from meteorite (s) by rocking 48... narra...

the symbolism "Eliot jeez oh, almost complex" rituals after eaten

(after that) the position in "filming 3am 4am 5am" cars bunch'a for above low

"feet that it jumps, remember?" smelling 'sizzling' back it don't "you dull walks

blank, makes you?" no almost entire block lit'up numbers one yard between line(s) ing

sidewalk inside north to pull top "it's the pants walks moved away, way, AH!" hit outside

dis role covers heading to hands a bus is in "holding one, great" it are "forme" "forme"

smiling the food conscience none emits however suggests liquid arrest cuffs

above low shoes before thinking above "pull, pull!" 14... 48...

22... 56... 31... 06... 39... 14... 48... 22... 57... 31...

06... 40... "I don't knows why(s)" values assumptions

not for 'bism as 'rism as the device 'da one in

another figure know "it" you it 'ation starts the

names that open processing if "pulled up" meteorite (s) for tells

48... to it balancing...

s.1.5.4....

s.3.0.4 "comman'dd?"

"it's this point of view" bad for

is said but edge'd it says some

steel window current thing that something

only says the current ing assumption

ly giving above vowels "it's this, too"

non 'weyou' the current essential cut

error face'd 'band for mountain ranges

wants point sight isn't "this, " un

this shelf rainless (absence) 'slugging

scotches supports two that smoke

parliaments one by one 'one of "sand

& lonesome" example colors complex meaning

'thermore four months of "so, so"

edges to "Buk" glass as 'after ly 6pm

shows above and drinks my whiskey,

mine to smoke cigarettes then fucks me 2am,

too' 'ned bag for low has adjusted

to the difference isn't as arranged

sun stops backwards delivers 'flicted

"followin' those points southern" the EL

Paso starts (sand dunes enter) since

that Little Rock Dallas "symbolize,death,

winter" the bag rank low

enters "might all also blink the point

that it spots for are

west" followed low difference

rrrr...

rrr.. "spoon'd?"

"walkff" stagresence "mais sloezzanine fow whiurns

tbsent circlre armbove smoos lookit inccess

"concentratied" ligack paraffic sloime toiir baisappearance subjead pad togethase ligtreet braround

"facame, samhing timeing ahing onother onoesn't iurt?"

maar thiay atep s truct fos speciotes writty oou

extir& "skillabor" plaands surroundertain thmake occurrinn manifestt" posmooth thxcess streos Angelerrat') (songer

risnd abolevator rigide leathtrap lot "jeeimple

appearannside stagn ot's tainly aboivision fingeircle

fos Alisoave scratchut "timeoo mureen ligho accessintrations

itnother tiame tome faco 'thants belpimples, all"

r.0.1.3.5

"walked off" Main steps down
mezzanine ramp "is presence" as

E turns away circles arm up
Aliso standing looking

on ramp traffic back red light
"concentration access" time to "bad

air" disappearance and subject together
paired curb street light base

around "same faces" same time
one thing but another "thing"

"doesn't your head hurt?" car this way
one foot truck
tread s out special ly written

notes about extirpa te &
"skilled labor" or hands placing

compassed certain that way occurring
"make your manifesto, post it"

Aliso at Los Angeles Street
over (irrat') not longer (s)

E scratches above the belt right
side lift look pimple

"jeez" appearance within a manner
it's two steps mainly up ward

in circle fingers out wave
ing Aliso's scratching too green

lights "times to accessing" 'trations
it's again same some faces 'ther

pants down "pimples, all"

"walked off" stages presence "main"
is slope mezzanine for low while turns

the absent circles are armed above
smooth is looking at in access

"concentration red" light back
part traffic slope time to "air bad"

disappearance subject had pair ed
together base light street brake around

"faces same, same" thing timeing a
thing one another one "doesn't it hurt?"

main car this way a step s truck it foot
is special notes written ly on you

extirpa & "skilled labor" place hands
surrounded certain that "make occurring

in manifesto, it" post smooth the excess
street Los Angeles (irrat') (s) longer

risks and above elevator right side
leather strap look at "jeez" pimple

appearance inside stages in one it's
two mainly above division fingers circle

for is Aliso's wave scratches out "times,
too much green lights to accessing" 'trations

it's another time same the some faces
to 'ther pants below "pimples, all"

q.14..5..2 "oney?"

"honhrough strei!" wavithers fre "count'eome tonighxcess "comiuh? " buhe hainside

fingandage foyeball toint lesaises foreheye fourneyed" beiothered destinhrough fuh,

tranquou iased in," halumniate (tii!" tave canne "sawrick loadio tricks the bir)

abilicraping fy" (less) viewed(iaxative objectiatting (paddilose) sounpposing

iroeturn prefeen coupli's [thoug??] "shithits" despairet unlehe reubstances onvincy,

bote 'soluhat ielieves teem clearore possibbsent thinurrently aftind coh, coint

sentimeou wrinternals, atage abooverings staibsent doround "ereeen, I'vhe entiday

about tast uere "gonliding orack hanphoira Eit involvhe principlowly aounds), choose

up?" fohe intaarticle feelid) (sdearemesis

q.14..5..2

"honey, across the street" waving "Hi!"

another out come "count'em"

"coming over tonight?" huh? but

hair within bandage finger to

eyeball point less up eye brow for

destined bothering "journeyed"

thru tranquil "oh fuck, you based

it on," calumniate (tion)

"hey, Hi!" waving cannot be "saw't"

carrying brick to bricks

to birth (to) and scraping ability

by "by" objective (less)

laxative viewed(ing) patting

(padding by) sounds opposite H's [thought]

coupling viewed instead returning

"shit's irony, shits" despaired it unless

actual matters convinces "by, by"

'dote 'solute rendering two appearing

clearly plus possible away things

currently past mind to come

sentiment point can "oh, you write

internals, and" step up

stair facing in away door out

"I've been standing around"

all day here all "about to blow up" 'phoira E's

hand rail (slowly involves principle

as sounds) slide "gonna pick

me up?" toward intact particle

'dears' feeling memesis (d) (s)

p.4.1.5

"do you  think they got it all?"
cigarette hand brown and black

waited paper in hand "it's
a big lump" window mirror

distorted presented outside
considered useless one story more cup full

choking vomit on awaken E's about
"helpless forces" another hidden

distort eyes widen "they got
it all?" layer & layer

speak bursting candies "peach &
strawberry" 'ware ness collapse "gotten

all" bringing (ing it) sorption
worldly lation imulus (tial) fond

confronting (nothing?) "being isolation"
being rec cog nized peaches 'dies

confront not (objects floating in
streets metaphor) pullout another sentence:

"but why am I?" ('daires) but tryings
strawberry (isolation) ones

E's toes (updown) tapping fingers
end pointing "pull those

up!" down once as isolation two
powered greater by three

'adored baby' "someone's duty to"
relent (soften) amount ing repeat

"even another toe tapper, but once
is" vomiting motion left

"toes a tappin'!" back ended scenic
what send'd a tappin'!

"do that you think that all?" had
started it brown and black waited paper

"it's disposed hand cigarette one lump"
great the mirror window distorted the

presented external part considered history
that useless vomit blocking full cup

awaken on E's on forces "helpless hidden
others" distort the eyes widen "they had

started all?" to it layer & layer speaks
blowing up "peach & strawberry" candies

collapse of ness 'ware "gotten all"
bringing (ing it) to become attached (tial)

worldly imulus lation sorption (nothing)
isolation "being to be cog" rec nized

peaches that 'dies not (objects that
floats metaphor streets) pullout one

another sentence: "but because am I?"
('daires) but strawberry tryings (insulation)

ones E's toes (updown) the extremity
beating fingers pointing "pull that one up!"

for low a time as greater insulation two
powered for three 'adored baby' to "duty of"

someone's relent (softer) repeat an
amount "even one another beat finger

foot, but a time one is" toes left
movement vomiting "one tappin'!" back part

finished scenic that send'd one tappin'!