9/13/2004

broadway 1.1

9/09/2004

f.1.3.4

at 8th and Olive E picks up a bucket [a] squeegee a bucket squeegee towel similar back looks yet (white) sure (on) (in) "Spring St. I'm going, to presence, yes hear speak" scratched ing concrete members water wipe squeegee wipe away "Main St. landing [S] scaled" 10:1 actual inches solitary

"speak my ears hear" shouting E's mouthing the tear inside the third finger knuckle one to two [conversation si (lence) ntly ] walk back to the buckets (un) surely dropping blood mental 'anscient 'ning toward falling "better look up fiction as a noun again" (less) ness state wrapping Kleenex fingered (tively)

"it's the narcotic I'm wanting" no emetic trace the patter [single judgment juried conviction] she/he sentiment "my baby, what about him?" 'and end to 'osene lit'up "can... anyone trace the 'nitude?" hand and mouth muffle where cutting cut cavity 'iny fingers "cutting up" take once triggered 'my gun in hand' un(done)

at 8th and Olive and picks up bucket [ ] squeegee bucket squeegee towel similar back looks yet (white) sure (on) (in) "Spring's where I' m going, you the presence, yes to hear speak" scratched ing concrete members water wipe squeegee wipe away "Main's landing [s] scaled" 10:1 current one swell solitary "fail my ears hear what" and shouting that mouthing the interior rip the third together one the two finger [silica conversation (lence) ntly ] walks stops certainly backwards the mental leaving to fall blood buckets (un) `anscient that 'ning for the "fall looks at above fiction while ness a substantive another one noun" (less) indicate to involve Kleenex fingered (tively) ", narcotic wanting me as" no trace emetic the only judgment juried the certainty ] she/he sentiment longitudinal aligned[ "my baby, who and ?" and the end to lit'up of 'osene of "can't... any trace the 'nitude of't ?" the hand and the mouth muffle where to cut "why cut to the fingers iny of socket cut" to triggered provoked time taking un(done) hand gun'

9/08/2004

e.1.2

without 'eedom & 'sense "so far" emerging E's thought stairs curve up away (s) (ing)

"double it up reach (subjects) impact nature'd ill (us)

only abandon "oh, god obvious dude(s)

flat spots light wrist E's

arm (massed when transference) coin

cides "cups 'o tea" calling

(ed) a foolish dream butt's

up thumb back 'sores' eat

itch "cup of half, inch"

getting tired on Aliso St.

corner change 'vealed backed itching sore'd (saxophone's) "josey comes" langues(que) do the modeled wonders theorize(ing)

"trouble was" E wasn't reading

Mr. B today not product

different its 'fect (d) thusthus

singing "my own sense... freedom(s)

E's chair at Vignes &

Commercial faces to "Lady of

Angels" trash surrounding toll booth

freeway entrance [giving meaning]

"oh, what is your darkeness, your 'get me down', honey?" sirens fire dept. (LA) screaming

at 'bags here' four quarters

will run the route 'ather

models "too, speaking to writing"

"double "oh, ascending abandonment evil impact nature'd reach (subjects) (we) only, obvious smooth points dude(s) god tea" clearly "cups 'o cides currency arm E's pulse (congregated when transference) calling (ed) a dream foolish butt's above back part 'sores' thumb it eats itch "cup half, inch" starting tired in the change 'vealed sing it St. Aliso "supported comes" itching "josey sore'd (saxophone's) language(s(que)) makes was" "trouble shaped theorize(ing) wonders" product Mr. B reading and wasn't today not different its to sing thusthus 'fect proper (d) "my freedom(s) direction..." Commercial chair E's in Vignes & faces "Lady Angels" oh surrounding entrance freeway cabin toll garbage "[ that it gives meaning ], what darkness is its, its 'get me down', honey?" dept. fire sirens (LA) that here 'cries out in bags' four rooms will function "too models route to 'ather, speaking writing"

9/02/2004

d.1.1

(laundry doesn't dry) hung up points

rusted [dots] not white

assumptions E makes paper folds

raised up leg between (s)

opposed "what if you could code it,

yakking in one

voice?" twothreefour voice'd where'n

time 'ast 'lienated paired dialogue

(s) working beliefs local (ized) mapping

tripped not existen 'chal'

d - whether mem (ory) timed (s)

pi squared E's thought is

"anxiety coupled with projection of death

wish alienation" shit no metaphor

mapped it local 'tened 'un

loving shot 'ante explosive

"see a'cide" there you know it

"well, when clear'r"

bound up social expression(s) 'no no

not no not this'

jailed (less) touching the wall toward

the bedroom (assume it)

search pale "she won't answer... not

call back" overcast (lying) in the ivy

onramp Broadway suntan (timed) some

tires sticking sound (tape approval)

'ic practice replaced "where the leaves

meet the branches," roadway

curves here E reaches up subject and

'lessness 'n confined

9/01/2004

bus & pipe

picking a butt up green light he

situate (ing) "yes" peeked roof while

eyes bleak (ly)

Main St. stopping "not drink

or food" say going

A: "gloomy king's" waving motions hands list as argue

M: roll up door glass (den

A: sity) vs ratio

M: painted window black "it meant

A: to me" admit

up butt green picking light

(ed) from behind form'd urging "no"

direction

gulping "all of it down" once

refuses (ing)

up selecting a butt he (ing)

places green light "yes" up peeked

roof during eyes bald (ly) Main St.

which "not or food" beverage stops go

A: "gloomy king's" wavelike moving movements hand list as argue

M: roll to door glass (cave

A: above (sity)) against relationship

M: painted window black "it meant

A: to me" permit

up butt green form'd from

the rear which "no" selects

the light (ed) pushes direction

sips "all of it down" leans once

off (ing)

places green light "yes" up peeked

roof during eyes bald (ly) Main St. which "not or food" beverage stops go

up selecting a butt he (ing) places green light "yes" up peeked

up butt green form'd from the rear which "no" selects the light (ed) pushes

Main St. which "not or food" beverage stops go

direction sips "all of it down" leans once off (ing) "gloomy king's" wavelike moving movements hand list as argue leans once off (ing) "gloomy king's"

wave like

roll to door glass (cave above (sity))

against relationship painted window black "it meant to me" permit

8/31/2004

c.1.1

within cracked "person vs. history vs. backward categories" either engine

diesel weight'd 'evels "pull the blanket up over," isto 'press

notion(s) ing [to what] defending reaching 'istic (ins) ment 'ysis

"termed" successive inward/outward "one litter of pigs, one" divination other

time(s) sighted east away from Temple rolling Vermont inched west

forward to no one said "you're emancipated, not really"

meant (ideal/?) E has athlete's foot itchitchitchch'd'd 'orror 'eath 'loud

get out the characteristic pre (sent) bag lap head in

knees walking through the door "hi, mom wanna go to

get a pizza?" not progress not/no notions ['uaranteed] change wide

within the broken "person against history against rear category" pull up each machine diesel

weight'd 'evels "the cover more rubber," isto 'notion(s) ing [to which] defending press 'istic

(in) ment 'ysis "term" successive inward/outward "litter the pigs, one" pointing saying, which

divine other time (s) the east away from handle roles Vermont which became away move step for

step to west forward to none which "are said, are emancipate, not freedom" meant that (ideally

/?) leaves E 'eath 'orror 'itchitchitchch'd'd foot atheletes loud characteristic (sent) bag

lap head forwards to go out the knees going through the door "hello, ma would like to go get a

pizza, too?" terms progress do not change not/no ['uaranteed ] far

8/26/2004

Douglas Building

'en(cy) 'torted

"you don't know

if you will regain it"

again 'modes

of/in production'

E bends down frozen 5:30am

'scoped reading

"Times" headline metal

knobs twist 'torted

(s) intestinal

crowding (two to a)

'owd gas pickup

'seventeen' musilage

where

substance worth defends

'cepts successive staged

two board stuck

together

en(cy of) 'torted "voice does not know if you regain" another time musilage to modes collector gas 'owd "tempos" reading production modalities of/in bendings 5:30am E for low frozen and 'scoped buttons metal of headline' twist torted (s) if to agglomerate intestinal (two) where the substance worth defends the staged plate successive two 'cepts of 'pierced together'

8/25/2004

Douglas Building

'which' is the point serving ménage so approached (ing) graffiti

less (pre) "page three signed, twice" E figured (re) difficult

[ty] "what's observed?" 'havior better to plug it in washed

down (ination) urine "take this measurement 22nd Street where trinity

meets whether it's points (out of this that) immigrant less

another mixture "my nurse says..." and asks "oh, you aren't

(out of) narrative" (?) groan (de) fect'd severely reach to panic(s)

'pection system ized 'x cept cars to trucks curled story

storied hats up shape (ing) dominant to tricks mixed around

'suppose' now 'H1B' immigrant tomorrow recalling "why am you frighten"

pull all shapes paint reveal/hide E's repressed past falls forward

"when is it historical contradiction, really?" run of plastic chairs

front the entrance leading doorway "know it' the end..." disguised 'coded'

'code' 'd tow twice(d) trouble here (s) presented "now and

then" shit just don't hide't 'hapes 'aint'ed 'veal 'stort it

'which' he is ménage serving point that

graffiti approached little (pre) "page three

signed, twice" (ing) E appeared (re) observed?

"[ ty ] difficult" what's better 'havior plug

in washed below "take urine (ination) the this

street measure 22nd where trinity finds if it's

more/less points (it that) immigrant one nurse

"my mixture says..." E asks for "oh, you narrative"

aren't (it) () the reach moan fect'd severely

system panic(s) 'pection ized cars cept 'x to

wavy history trucks storied hats above form (ing)

dominant tricks mixed around 'suppose' now 'H1B'

immigrant that you remember tomorrow "why frighten"

it pulls all the forms that the painting reveal/hide

falls "when after E's repressed is historical

contradiction, really?" functioning plastic chairs

front "know main it's entrance entrance"

extremity... 'coded' 'code' 'd tow twice(d) problem

"now and then" presented here (s) hide't 'hapes

'aint'ed just 'veal excrement don't 'stort it

8/24/2004

A

"those aren't features" 60 or 70 people crowding around a doorway "no, it's the use of the sequence not word order sitting a hundred steps away pointing center (another body asleep) meaning express'd without value ing how value'd not waiting (features written) seen "yesterday's shaved head, stubble" today saying it

"and the mission only takes" counting beds form(ing) new (s) leaning right wrist bent hand fingers out holding ((value insists) equaling)) "alien translation for me, today" other "the door(s) stop working" as "no money, bus't today" or waiting/sitting in line(s) the sidewalk from folding up over "utterance over the cardboard" beds

not in a bed bed(s) un able sit railing aluminum whether Arcadia at Main or dirt bedding "verb and conjunction" nor feat(s) 'integration 'laced sign up (telling) wait "over the freeway" place one image 'orward another 'ward study'd back mean(s) is bleeding 'you' cut fallen deaf stopping(s) (ed)

"features" those aren't 60 or 70 people tightening around "no door it's utilization order words order not resting hundred stages directing far significance express'd from center (another deadened body) without ing value how value'd not 'attendant (written devices) "yesterday's considering shaved head, stubble" the statement saying "and the takes" mission only by counting form(ing) beds new (s) leaning the fingers hand folded by right wrist out being held ((the value requires)

to equalize)) "alien translation for me, today" stop working door(s) "the money" "no, today" bus't or waiting/sitting in line(s) pavement fold the "utterance finished above the cardboard" beds not in a bed(s) one able bed put back aluminum balustrade if Arcadia with "verb and conjunction" bed linen force or dirtiness nor the feat(s) integration 'laced record (saying) the "over attention freeway" 'image 'orward a another mean(s)

back 'ward study'd bleeding 'you' cut the fallen deaf stopping(s) (d)

8/19/2004

bus & pipe

ordinary it say "right, then" bark(s) "barkbark" bark(ed) contemplate sign streets 'respond ing collate (age) isn't it 'narily re

cently space between lesser sensitive sense (s) increase it isn't device 'd ordinary (arily( this bus cannot [disor ient] news failure (ing)

(settled failure moving (ed)) cracked concrete different move (y) says fail words (ure) M seated thinking "violence, critical urge"

M: carried hand left foot forward A: "well, it's your words bent" (ed) M: unlike Kant reason A: "not so much me as," M: a bus drive(r) (ing)

((ordinary it "right of word, then"

"barkbark" of bark(s) bark(ed) contemplates

streets sign that (ing) 'respond assembles (age)

isn't it 'narily about

‘cently space between sensitive

augmentation ordinary direction (s) it

device isn't (rily ( bus cannot [ disor ient ]

failure news (ing) arranged

failure moving (ed)) the concrete

the movement split that different (ly) indicates

the "violence of thought posed per M words bus (r) urge"

critical))