Central City West

u.1

camped in the core LAPD tore
it all down "whad'ja get for your tent, whad'ja get"
five thirty A.M. off to jail and a water bottle refused it
a helping servicer hous(ing) auth mentioned the shiny new

apartments subsidized at $750 a month
"whad'ja get for your tent, whad'ja get ummm?" recognized as
senseless shifting something change(ed) still'ted stuck'ted to degrees 
borrowing from
T's language away or and if land fill food rides

statement (s) handed constructed: " whad'ja get it"
next room explanation you they them can't sleep anywhere as
just please you must'ed toward "smoving mis inter preting "if a
cat can live outdoors, why?" can't I's vision as

regulated (ular) spoken to one know 
home for me/it let it sleeping bag concrete bedding happiness
phenom baffled turn 'ed brain cell sense before it spoke of and
servicer ordering solution undering: easily fixing barely able box
"whad'ja" get

Hope Street at 12th

p.1

"uh, look closely" uh (remember himher?) do you have
all of your extremities including
eyes nose ears hair snapped picture number(ed) lines dialogue
connections that fail: telephone box tree trunk
sign painted sight seeing

only white curbs "where's the San Fernando?" buildings
titles in letters without lights hanging
around the corner I's talking quickly to H hands fly
ing around hanging pointing up Hope Street without
translating curbs around

p.2

"uh, looks at proximity" uh (remembered
himher) all extremities including
the grasped lines hair connections number(ed) picture the ears
nose eyes dialogue that fails: the signal trunk
tree box telephone paint

ed to only see sight white brakes "where it is San
Fernando" the headings the buildings the
letters without lights that hang it I sing(s) speaks to the hands H
quickly flies (ing) ] around [ pointing hanging above
the street the hope without

brakes translating around

p.3

"have uh, views of prox		imity" uh (it has act
ually more himher reminded), you all
extremities including the calm lines hair connections from
number(ed) illustration the ears the nose the
eyes the dialogue which

fail: the signal trunk tree painted box telephone
over from the white brakes sight to only
see "where it is the San Fernando" the headings buildings in
the letters without lights hang around it that I
sings flies with the hands H

fast the { ing } around the
road of hope without the
brakes above recast speaks which
translate around

Hope Street at 12th

o.1

opposite to the manure & direct (ly)
below I's right crusted eye loafed lay
er infection "starter for a new rye, sans caraway"
you say litho	sphere you said to	transition
(port) two more feet to

Olympic sleeve buttons right arm sever		ed
tiny white/brown		sewing kit needle kit
polished metal (slenderly) sewed in place are in
out jacket "buy me a boot, please?"		where then if/not
I scratches eye is

o.2

the opposite to manure & directly(ly)
below the right eye crusted I		loafed the
operating infection "departure configuration
for a new rye, caraway sans" you sphere		of litho word

you said to the transistion (port) two more feet to the
right arm keyboard		keys olympic glove to sever
ed please that the burnished metal very small
kit sewing needle kit		white/brown (thin) sewed

in place is for outside covering "me purchase a porter,"
where then if/not I scratches out the eye is

o.3

manure opposite of & below (ly)		direct makes
right eye crusted makes I	loafed sphere you sans one ones
caraway operation infection "new rye one configuration paragraphs

departure" makes the right keyboard keys that arm the feet
two transistion		it said you the word of of of litho (port)
glove Olympic paragraph			sever burnishing sewing

given one small one very favor	ed makes the kit makes
the needle one metal makes kit of white/brown (I finishes)
sewed none 		is not 	place paragraphs it makes porter

one purchase

covering "me" where then the risks of if/not I paragraph make
eye are

Hope Street at 12th

n.1

after walking from Grand bloody nose fin
gers flap tennis shoes light rain "mother
left me at Olive" word the that being hidden in
lights really meant "an ancient Greek refer
ing order to
discussion" centers stressed syllable
that self the that existing four feet
in between describing scapes scratched sprayed themed "an
other connection narrowly provid
ing oxygen in"

Rape on Broadway

getting fucked up the ass
H tries to turn over his head
is covered with his blanket
his face smashed into the sidewalk
trying to scream, no sound, nose crushed by
a fist left arm pulled back and broken.
H tries to roll over: the focus
of thoughts fear deny it can't be
this red sparks behind eyes behind
H moves his left thumb over
fingernails and thinks "who will fuck
ing care?" traffic rolls by a truck
rattling the security doors not
a punctuated rape the sun is rising
a punctuation of rape the eastern sky is glowing
an alarm clock ringing in the hotel room above
a TV turned on another bus rolls by
the security door rolls up the hoses spraying
water
wakeup

Hope Street at 12th

m.1

the jewelry district overruns
south park bring another word(s) back
"as it does" I re-circling not indeed from a re
bounded context or did narra		tive	ly	func
tion ed as

a wisdom: the concrete around the
rusted pole is red bring		ing	an
other world(s) back "or it does" focusing(ed) on
cracked skin hands pulled nails tan(ned) face
feature	yet

San Pedro at 11th

j.2

four minutes sixteen hands legs dress less torn away
pincers belts blood ed legs/feet	pene		tration
pen papers hands flying flapping slaps

	ah the loving
	ah the continous
	assaulting
	eggs & potatoes
	nylon tents aluminum
	tinseled berets

backup backup ]up[ and out four tires to each
roll away backup backup

San Pedro at 11th

j.1

how does window washing? on vehicles pressed lament'd LA ment
another walks away: how about a bag of carrots?
one two three four five six walk away
direction simultaneous rest away other incomplete	ness
of straction ab	ility rake it up it up in-pre im-pre
cise	gious ]pictures[ regarding qualities upon this called observation
hisher decision either hat (metal or cotton) as Texas
rises "only memor..................ies, lie the" open doors

wittgenstein wipes

San Pedro at 11th

i.1

on 11th back T stops cinder block head cold back up foot
interpret "you" quasi-cylinder	ical	with		in that se	cond
trapped "after a fine dinner"
T reaches into hisher pocket for find some change
no change color signals and pear slices	ed incessant ridden after 12am
metal
	glass palm size'd "one more butane	r, buut" continous prolonged cont-
longed
dry heave		ing spasm lot parked cars 3am heave
'D kneeling "once I wore
	diapers, now nothing... no!
	heave up, squirt from the rear
	once I word diapers
	now nothing...			no!"

now transformed this subjectivity into "you" the faithful replica