Cahuenga II

A.

LADOT is running and is cheaper no visual cues not
to E it's a figurative running the wind from a
fly attempting to land hisher hand some seats reclined
some to highlow to sit is

E says "the unconscious is re-structured, a chicken wire under
a lathe & plaster(pale light red yellow)ed" repeat
associations versus representations-pre buses blued striped boxes
	bound away
the fires fire smoked into wind isn't

fuck fragments "let it flow like a river past Glendale"
not St. Louis although (big syllable words) no smell to go
and "why does he believe it's a lavatory?" that won't
stop the bus it's a visible process isn't it

is conventional transportation whichthat disrupted down Cahuenga updown
	Temple
to Benton & steps off and sits down on a 
bench (a bench assumption) not even a flux as you
pull out a previous thinking and tie it to

B.

LADOT is functioning and is cheaper no visual suggestions not
it and that the wind of a fly is a figurative corridor that
tries to fill with earth the hand of hisher some seats
had reclined some to highlow if to seat they are

and says "unconscious re-structured, a wire of the hen under
a lathe & red clearly of plaster(pale yellow)ed" the associations
	of repeat(ing) 
against peeled boxes blued of the buses
of representative-pre limit moved away the bound(ed) that

the fire smoked in the wind is not the fragments of
the fuck "had left it to flow as a river after Glendale"
St. Louis even so (great words of the syllable) none
I do not smell to go and "why it believes it is one lavatory"

this will not stop the bus that is a visible process is not
it is whichthat conventional of the transport disrupted
below Temple of updown of Cahuenga the Benton & the stages
	are and sit 
down for low in a bank (an assumption of the bank)

not leveling a flow while you remove to think precedent
	and mooring cable the a 

Cahuenga I

E asks "what did I read?" one shoe one bare
foot concept are not inadequate contradictions do not lead to
a more ad-e-quate-ness left foot toes black it's all all
all gray while sliding to

what what what? Temperature it's not finished now not failure
is it coherent? is it finite? "oh god please hold
my head in your hands" E lifts his left foot
up then his right foot up

this bus no handicap services "mother fucking bus driver are
idiots" and unceasing lined up ant hills ants with little books
'Oedipus book, libido book' the noise above: whir whir whir
whir whir whir whir whir whirwhirwhirwhirwhirwhirwhirwhirwhir

baked finally the bread temperature turning/ed

singing,

		"pencils in my hand
		red clouds hovering
		blue sky bands
		Jesus is a helicopter fluttering
		Over"

E's head up staring into the whirring a real
itty itty itty built up with yakking yakking whirring around
windows whirring to reflection whirring windows around E

Van Nuys/Victory - 2

2


-the bus winds winding up Lankershim past Universal past Barham
over the hills and into West Hollywood E weeps and
walks singing "gotta get back, back gotta get to Cahuenga"
crazy bug flying at
-lights formation jet clouds pink and blue October dropping things
dropping other things E sits and naps: the pain
the lower right/left neck to shoulder pencils dancing dancing to
Cole Porter drop it drop
-bang klang crash splat splat bang ding dong crash splat
E hears it the dropping the bus stopping the wheels
popping eyes see smell it patterns dialectical conflict methane fumes
as crash like splat as bang
-crash klang bang splat band ding crash crash bang dong
E still hears "it" dropping bus stop while wheels turning
eyes popping smells see "it" still not changing not change
"ya, can't wiggle into synthesis" portrayed as

2.1

the bus rolls the rolling
up above of Lankershim after
Universal after the Barham on
mounts and in Hollywood occidental
person and weeps and walks
wild flight of the error
to sing "started to start
stops backwards, started it stops
backwards starting the Cahuenga"
in clouds of the spurt of
the formation of the rose
lights and the things leaving
to fall blue of October
that leave to fall others
things and sit down and
naps: pain the throat lowest
of right/left to push the
pencils that dance dancing
to the drop of porter of
Glue the drop splat and
of the electric noise of
dong of ding of the
boom of splat of splat
of the electric noise of
klang of the boom it
hears it to leave to
fall the bus that for
the wheels the land the
eyes for seeing I smell
that dong shaped emanations dialectical
of methane of the conflict
as the electric noise as
splat as the boom and
of the boom of the
electric noise of the
electric noise of ding of
the band of splat of
the boom of klang of
the electric noise it still
hears "--" the jamb of
bus leaving to fall when
the wheels that they turn
the eyes that "ya wiggle
while it still turns it"
not to change not it
"change portrayed cannot wiggle in
the synthesis" as it as

Van Nuys/Victory - 1

1

the park has trash cans trash and cans sometimes both
out of the pocket forward in jeans coins of both
the the park park cans of trash sometimes cans of
clothing cloth clothes of

E thinks: there is a reason to reason where be
here B thinks "oh, guardian, uh, you?" which one which
of the two the two mother father the behind car
hiding rear tire one right

three left in the/the in market lot parking of
power versus power external/internal re-pressed? "what the hell do
you think you are doing?" an LAPD cruiser blue uniform screams
E steps back onto onto and

pay attention to the concrete surrounding the street the curb
the flashing yellow lights mother and father and son and
murdered one over the encourage-ment the cans cans park park
cans of sometimes cloth clothing of clothes

Los Angeles & 3rd - 3

3

let's shift our attention from questions to process an internal
dialogue to outward world viewed un-effects of boiling rumination
bad/good
it's an answer from a future respecting the where
the when-it the why-it the

how the skin reacts to direct sunlight hours eight of
also dead touching forth-blood spurting again again arms crossed over
E is concerned looking nails finger no nails no heal
ing refusing help to need which

let's outer world changes of position our attention of questions
to process an internal dialogue to the seen e-affects to
boil it's of broods bad/good an answer to respect
of the future where when-he why

-he how the skin reacts to direct hours eight of
the light of the sun of the stirring ahead-blood
also died that forth gushes again again the arms and
excessive crossed-ing it talks about that that the 

finger of the 
nails watches 
no nails no 
cure the ing
who rejects
aid to need which

Los Angeles & 3rd - 2

2

son of Minos the simile a cow of spots three
dead vat large hat in/of snakes eating herbs living
along a chain link fence today "I'll trade you two
cigarettes for a needle and thread" what intention reference you
countered less of allowing

nets over character as power as science as pants in
hand asking Hector returns to Troy fuck this that or
E looks old today "I'm tired" locations: school factory prison
trains run out to Pasadena

and Thetis warns B "you know those shoes?" yes those
red joined street routing Trojans running across to the Mission
running back with a toothbrush "wanna trade?" wanna legitimize practice
mention that we are dancing tonight

de-centralized internal-ized restraint "pray me a new doggy, pray me"
don't let me die honey not tonight wake me doggy
pray me tonight as E sleeps no in knife-ing back
slice death to bleed death to sliced

Los Angeles & 3rd - 1

1

what where run of tents sun side three foot spots
marked "get out of the 5 dollar a night to
night" tent box tent box C's left eye going black
slippers E's tennis shoes
mark it internal pulled up guttural pulled out heart towing
E sits against a fence head back sleeping sun side
facing "it's not that hazy" an end or means action
E stands scratching smiling across
the intersection has mastery over his thinking 
		viewing rationality focusing

hair gel as myth as created who in what where
inter-science un-reiterate re-if-ication un-enchant produced-ed along
		the box housing neighbor

C blinks away the in-fection tries
buckle it up where what smiling big smile E loves
C loves her adapted a-domination her engineering her character planted
spot in E's for-head tent box box tent moving process
matter it bodies-y up ward

Santee Alley 2

2

walk -away from the fashion district 
don't –press down enact not acting set
I –and you over be I merely
of -conceptions

but –nor than forgets then by thoughts tell
no –but this and that your where except
and –have into that for therefore and so
will –that and were to

to –that and that to dangerous ban
quet –know hard know love use gentle of
yourself –glass yourself hear me myself
me –eyes yoke of in heard

eye –turn lament just things itself face?
cogitation –buried passion men
war –neglect on grieved behavior
myself –difference am

countenance –look you hand have gentle
ness –late you desire in part do I
course –pass march again upon face march
hear –music me again calls

Santee Alley 1

1 

historian through (of in) hogwash looped/
fastened who obtains periods through (of in) possession maintain
avoid "brought forth at birth"

explore the finger then the
thumb: pack rations grant a "the"
turn the chairs a quarter turn them proceeding past

lisping: B walks (reader intervention) importance taken you u
(of in) sloth exercise forms
reb-ell-ion reforms(ed) as one avoids

advantage advent edge inferior, 'the flower

in her hair blossoming-ing' a sun
dried heart be-be-beating Adonis (simile)
yours smelling lime likely diluted in a glass a

(of in) seas roiling er-coursing adding drops water (arrived)
or not B walks hand around
knob door twisting isting arrogate [claim without justification]

shoulders pushed forward standing chin chest
today sullen minus one sullen minus two sullen three
days ago prescript pre-jacket

pre-silence counting (of in) connect
silence pre-blue eyes count looks of loving of
love method pre-strained as power

hogwash historian (of in) looped through/obtaining-ed fast
to possession to possessed unfast hold
"forth brought avoid birth at"

5th at Stanford

5th at Stanford

a long line of ants crawl
ing up Stanford heading to Fifth: Styrofoam Thai food
H looks up and sees them disappear reappear
over a rise in the cement
line long stumbling pockets (not think)
that walk to the next corner
re-occur as as food waiting waiting so