u'1.7

fat and sitting slow "ah, eh, reh,
ahe..." forced once turned tried
'sist 'appear "wearing a gun and smiling,
yes" a roar of LA
river "eh, ah, ahe, a"

corner to doorway "green light" a
room fix 'ed 'em 'per "low, don't know,
yet" bad almond taste'd "gonna go into
'tinity "as through'd it
it's 'psism "ranging the

window doll right [angle't]
"brushed up to it" turning against
station wagon {feet to 25 foot} rate
't "want to know, it, things"
'solution ending same gone

ending butted up 'agona
gain" 'lusional phenom' no trouble
shift't mechanic hands continent molds (t)
slowly 'ing fatten
sparked fire to arm burn't

cr ossst't't't

cr oosssst'tt

cro  sssst't

t't't1.6

"the screen is opened out" 24
x 24 (from sleep to) bright yellow
past one car within one person "told, narra
tive" ly R's (Hand in Hair)
back [look: crying by a car]

waiting moment between (ads) "attend
ing't stands out" with thinking shaking
twisting to't move "it's over there" yes
'lize'd under 'fir
mation connect't "no then"

now then it covers the inter
section pants coat shoes hair "me, this" lay
arms down 'possible (re) growing up surround
ing "let's dance, tapping
dance" feet huge stomp "this, and you"

(don't bother] head risen stair
way over pass "seeing in the morn
ing" smells word/trash smoking deathup "into a
third floor room" eye point
"me, this... seeing morning in"

"a screen is opened for form" 24
x 24 (sleep) yellow brilliant(s)
after car inside a "did't person, re
ly had narra" (hand in
the hair) it stops backwards [look

ing at: to cry out a car] mo
ment wait between (ads) "attend the stands
ing't are done" with body(s) movement agi
tate thinking to't "what
is lize'd 'excess the" yes

under connect't f'mation
"new dance" now then "covered hair shoes
covering pants section, here" arms low config
uration for (re) pos
sible growth above it sur

rounds the "deuce us to dance, beating
stomp" enormous "two/three feet dance this,
and sing" (bothering it'd] does direct rais
ed ticket "'ver that morn"
eye one third room ass" smells deathup

smoking word/trash "oh, it points me"
this excess way stairs... seeing the morn
ing 'em"

cro 'sst

cro s't

 s'2'5

toes ground resting amorphous out
"oh, you call this presentation,
well" break at is [dream 'reach out and collapse' flat
& young] 'urged as narra
tive "wait, it's projection, it"

sleeping (after toes rest) three plas
tic "a leather one" right arm shoulder
(pulled in) 'vasive 'lapse walked ahead be
hind "getup" left there then
cares right turn "meeting one eye"

then two eyes (one skull) car seat live
'd "no that's not it" lost two [where
overturn] world whole length streets 'sident bone
'd unpacked north hands
pocket coat leaning toes in

to shoes beneath paper to un
der clothing [one to the other] "did
you have breakfast?" paper (newspaper) 'neath a
shoe 'creating 'finging
undershirt arms out across

to rest fingers amorphous
foot worn out for it are "oh, you flame
this presentation, well" rupture in is [dream
'reach for is and collapse'
smooth & young] 'urged as "wait I

had, tells it, projection it's, it"
to sleep (after rest fingers foot) one
"a tic three plas coats one" right shoulder arm (pull
ed inside) 'vasive 'lapse
walked either "getup" a

head hind left imports then for right
return there that "meeting one eye" then
two it "living creature" no that's car seat 'd
eyes (one skull) not entire
bone 'd streets 'sident length two

[where overturn] lost world inside un
packed fingers foot inclining co
vering north pocket hands to low shoes be
low paper to "did

clothes giving un [one to other],
you has’a breakfast?" to paper (per
iodical) 'neath that one undershirt low
shoe 'creating 'finging if
weapon for is transversal

cro ss't

'everish

 t'1'4

one walker taped legs 3 bags
asleep after stepping slowly stack
ed on a bench (zipper eyeing the sidewalk)
objects two three and four
"another subject dead" since

4am since re appearance
luckier today bound in/up 'ma
gination "I got a new label
ed shirt" pull up the cloth
[smile] wet eyes 'jectivity

street to wall to back hand skin'd
it fever 'ished now effects (a)
'anism anti thing every's tree
to 'vent from pot handle
claiming "subjects reach out, again"

and again 'lusions concern holes
and pupil'd 'ience watching in
sert taken out dropped through repeat 'quently
"that's depletion, yet"
't meant standing in front of

walker ed in objects a bank
(to zipper that eyeing sidewalk)
two recorded the feet 3 asleep bags af
ter to step on slowly
the stack dead" three citizens

and four to "another since they
4am since that re gination bound to
day more fortunate in/up 'ma appearance
"I started one shirt" new
ed label to pull for top

wet eyes 'jectivity to be
dressed [smile] street wall to support hand
skin'd that fever 'ished effects (a) now
tree thing every's 'anism
anti 'vent "subjects demanding

fist guide reaches for, again" a
nother time punctures interest 'lu
sions and pupil'd 'ience give attention in
sert removed had left
fall with depletion repeat

'quently "that's, yet" meant position
't front of

'nos't'

 t'1'3

"no past, at all" parking lot charge
'd vision't feelings world home (isolate
't) 'rupted 'sures peculiar R's breakfast
"ain't it process?" in
of that act(s) where secure

ly forgotten (past ed) contin
ue (casares) "lights on" [mountain fog]
it is 'herent acting dropped through "come on
again, some one's here"
talk bound (reason says it's)

not past "at all!" no ephem (er
al) "pushed to extremes, we wait,
pushed to 'lipsistic we wander" ing
sing [me under it] at
all creation'd self'nd

lost now seducing then 'sidious
ly walking tended repeating walk
R's looked corner building one up 1st oth
er Grand slipped view ing
"in fact, is evocated (tion)

"no after, in all" small pecu
liar lunch home "ain't world (I
solate 't) 'rupted 'sures R's feelings load 'd
vision't lot parking
it process?" this act(s) where safe

(after ed) on "forgotten ly
them" lights continue (to marry) [mist mountain]
is 'herent that it acts fall through "come on a
nother time, here" some one's
limit saying (the reason

says it's) not after all! none ep
hem (er al) "pushed to the extrem
ities, waits, pushed for 'lipsistic wander"
ing sings [me under it]
all creation'd self'nd lost

seducing walked one repeat
ing tended walking R's 'sidious
looked building sings one above fact slide great
"in sight oth er, is ev
ocated" (tion)

ear't'a

 s'1'2'

P's confused (can't) dream respon
sible candle head(s) ing "writing
it" crossing himself five carts lined up role
ed fruit & bread fifteen
pairs (pants tied) shirts six consid

ered "great, don't mute, not now"
selected structure 'tivist "I've
pulled weeds, and rocks..." not moved't saying
source 'perienced 'sics
uttered as 'nist "four wheels on

six legs" brought pooled about
'totype ing't two to a line't
initiated (dropped over the freeway
bridge) down't for the new
ones standing light bike crossing

"on the fucking sidewalk!" where'st
considered a [understanding
a factor(s)] parents drove by yesterday
seeing 'lity reaching
linking what reflects 'ive's

P's confused (can't) it writ
ing ideal ing sible head(s) can
dle respon crossing five cars lined up
above fruit & the bread ed

paper fifteen (moor pants) pairs con
sid shirts six ered "great, mute don't,
not now" the selected structure 'tivist "I've
pulled harmful grass, and" 
rocks... not moved't that 'per

ienced says the source 'sics express
ed as "four 'nist wheel on legs" six brought
pooled on 'totype ing't two to one line
't (left fall on bridge freeway)
down't the news that sidewalk!

"is the crossing clearly, bicycle"
on where'st considered parents
[that it understands one factor(s)] directed yes
terday seeing 'lity
to reach binding what reflects 'ive's

eye't't

 s'1'1

looks up 'elfvitiating stomach
to intestine "speaking" un 'xpect
ed J's wake full (er) 'nism across gravel
waged (ing) "pull up the
water!" = fear as 'ness'd

dry wind and inject dark (night) light
noon "we need him to tell" 'deration
car floats pulled when [language] said stops "telling us"
losing accompanied
sense 'ximity progression

outcomes (ing) parking 30 mph "turn
left on San Pedro" from minus fear
easy chaos (growing feet) "eased up" [and
a] settled newspaper
box finger in finger out

"pair of jeans" intersection "not
how I remember it" due to cold
outcome GSD police head over down
arms back in (traded with)
subjectivism "thrown up"

looks at above the stomach 'elf
vitiating to "speaking" intes
tine vigil (er) 'nism full un 'xpect ed
J's through gravel under
took "pull (ing) above water!"

= fear as 'ness'd dry wind and
injects (night) "clearly dark noon needs it,
tell" floats car 'deration had pulled when [lan
guage] said that "telling
us" followed progression

losing direction 'ximity
results that park 30 mph "turn left San
Pedro" easy chaos negative fear (in
creasing feet) "eased up"
[and] established finger

box periodical finger
is to "pair, jeans not intersection, I
remember it" had cold policies result
directs the excess arm
ed for stops backward (nego

up intestine J's(ing) = wind we floats accompanied

tent't

 't 10

'phrenia choice 'cised
'nt flat stucco 'flection't 'gressed
remain(s) tion "car and dog" racing forms "beat to
the orientations'
here" P reaches (pocket) it

's door block yellow (lined) 'pate
antici'd [dis em bed] me et
"shoes jump out, here is" 'tistic 'cratic how is
it allocat'd? "uh?"
did expect an advantage

unclear it' way (s) 'ting in
P (looks at you) eye as eye's nois
y "waiting hands" skinned stand ready made 'pro
bable "lying in the
back" put up as difficult

"really? Failure? one to..." most
would see it "hands as hammers, arms wrench
ed" 'ter 'uation is 'ble 'king 'ed 'gical
P paints the wall with sa
liva 'normal subjects are"

tion smooth remain(s) stucco 'flection
't 'gressed choice 'cised 'nt 'phren
ia to "car and dog" competing "beat forms
to orientations'
here" P reaches it (pocket) the

yellow block door 's (lined up) 'pate an
tici'd [bed one in dis] me et
"shoes jumps, here is" 'tistic 'cratic as is al
locat'd? "uh?" it waits
an advantage it' to un

clear way (s) 'ting eye P (looks in you)
as hands waiting nois y eye's peeled
stand 'pro made "lying soon bable ing back" puts
as difficult "really
above? Imperfection? one... "

the majority IF it "hands
as hammers, set ed" key to 'ter 'u
ation paintings that 'ble 'king 'ed 'gical P
wall with 'normal liva
sa subjects are