harry k stammer

poetry from So Cal and areas adjacent(s)

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12/22/2004

u'1.7

fat and sitting slow "ah, eh, reh, ahe..." forced once turned tried 'sist 'appear "wearing a gun and smiling, yes" a roar of LA river "eh, ah, ahe, a"

corner to doorway "green light" a room fix 'ed 'em 'per "low, don't know, yet" bad almond taste'd "gonna go into 'tinity "as through'd it it's 'psism "ranging the

window doll right [angle't] "brushed up to it" turning against station wagon {feet to 25 foot} rate 't "want to know, it, things" 'solution ending same gone

ending butted up 'agona gain" 'lusional phenom' no trouble shift't mechanic hands continent molds (t) slowly 'ing fatten sparked fire to arm burn't


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12/21/2004

cr ossst't't't


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12/20/2004

cr oosssst'tt


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oh my gawd, we're gonna crash!

a wonderful serial intention, in tension, harry.
# posted by Blogger mark young

 

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12/18/2004

cro  sssst't


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t't't1.6

"the screen is opened out" 24 x 24 (from sleep to) bright yellow past one car within one person "told, narra tive" ly R's (Hand in Hair) back [look: crying by a car]

waiting moment between (ads) "attend ing't stands out" with thinking shaking twisting to't move "it's over there" yes 'lize'd under 'fir mation connect't "no then"

now then it covers the inter section pants coat shoes hair "me, this" lay arms down 'possible (re) growing up surround ing "let's dance, tapping dance" feet huge stomp "this, and you"

(don't bother] head risen stair way over pass "seeing in the morn ing" smells word/trash smoking deathup "into a third floor room" eye point "me, this... seeing morning in"

"a screen is opened for form" 24 x 24 (sleep) yellow brilliant(s) after car inside a "did't person, re ly had narra" (hand in the hair) it stops backwards [look

ing at: to cry out a car] mo ment wait between (ads) "attend the stands ing't are done" with body(s) movement agi tate thinking to't "what is lize'd 'excess the" yes

under connect't f'mation "new dance" now then "covered hair shoes covering pants section, here" arms low config uration for (re) pos sible growth above it sur

rounds the "deuce us to dance, beating stomp" enormous "two/three feet dance this, and sing" (bothering it'd] does direct rais ed ticket "'ver that morn" eye one third room ass" smells deathup

smoking word/trash "oh, it points me" this excess way stairs... seeing the morn ing 'em"


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cro 'sst


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12/16/2004

cro s't


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s'2'5

toes ground resting amorphous out "oh, you call this presentation, well" break at is [dream 'reach out and collapse' flat & young] 'urged as narra tive "wait, it's projection, it"

sleeping (after toes rest) three plas tic "a leather one" right arm shoulder (pulled in) 'vasive 'lapse walked ahead be hind "getup" left there then cares right turn "meeting one eye"

then two eyes (one skull) car seat live 'd "no that's not it" lost two [where overturn] world whole length streets 'sident bone 'd unpacked north hands pocket coat leaning toes in

to shoes beneath paper to un der clothing [one to the other] "did you have breakfast?" paper (newspaper) 'neath a shoe 'creating 'finging undershirt arms out across

to rest fingers amorphous foot worn out for it are "oh, you flame this presentation, well" rupture in is [dream 'reach for is and collapse' smooth & young] 'urged as "wait I

had, tells it, projection it's, it" to sleep (after rest fingers foot) one "a tic three plas coats one" right shoulder arm (pull ed inside) 'vasive 'lapse walked either "getup" a

head hind left imports then for right return there that "meeting one eye" then two it "living creature" no that's car seat 'd eyes (one skull) not entire bone 'd streets 'sident length two

[where overturn] lost world inside un packed fingers foot inclining co vering north pocket hands to low shoes be low paper to "did

clothes giving un [one to other], you has’a breakfast?" to paper (per iodical) 'neath that one undershirt low shoe 'creating 'finging if weapon for is transversal


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12/15/2004

cro ss't


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(3) Comments:
L. A. Suprematism out of the blue! Aaaaaahhhhh!
# posted by Blogger KK

 
i bow to malevich, but not to the expression of the sensation of speed, flight, and rhythm... but just the opposite

its given it's

hks
# posted by Blogger harry k stammer

 
No, the ahhhhh was not in terror, no. In feel-good awe. Ut pictura poesis, & vice versa. Keeps us busy; a-pickin'.
# posted by Blogger KK

 

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'everish


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t'1'4

one walker taped legs 3 bags asleep after stepping slowly stack ed on a bench (zipper eyeing the sidewalk) objects two three and four "another subject dead" since

4am since re appearance luckier today bound in/up 'ma gination "I got a new label ed shirt" pull up the cloth [smile] wet eyes 'jectivity

street to wall to back hand skin'd it fever 'ished now effects (a) 'anism anti thing every's tree to 'vent from pot handle claiming "subjects reach out, again"

and again 'lusions concern holes and pupil'd 'ience watching in sert taken out dropped through repeat 'quently "that's depletion, yet" 't meant standing in front of

walker ed in objects a bank (to zipper that eyeing sidewalk) two recorded the feet 3 asleep bags af ter to step on slowly the stack dead" three citizens

and four to "another since they 4am since that re gination bound to day more fortunate in/up 'ma appearance "I started one shirt" new ed label to pull for top

wet eyes 'jectivity to be dressed [smile] street wall to support hand skin'd that fever 'ished effects (a) now tree thing every's 'anism anti 'vent "subjects demanding

fist guide reaches for, again" a nother time punctures interest 'lu sions and pupil'd 'ience give attention in sert removed had left fall with depletion repeat

'quently "that's, yet" meant position 't front of


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12/14/2004

'nos't'


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t'1'3

"no past, at all" parking lot charge 'd vision't feelings world home (isolate 't) 'rupted 'sures peculiar R's breakfast "ain't it process?" in of that act(s) where secure

ly forgotten (past ed) contin ue (casares) "lights on" [mountain fog] it is 'herent acting dropped through "come on again, some one's here" talk bound (reason says it's)

not past "at all!" no ephem (er al) "pushed to extremes, we wait, pushed to 'lipsistic we wander" ing sing [me under it] at all creation'd self'nd

lost now seducing then 'sidious ly walking tended repeating walk R's looked corner building one up 1st oth er Grand slipped view ing "in fact, is evocated (tion)

"no after, in all" small pecu liar lunch home "ain't world (I solate 't) 'rupted 'sures R's feelings load 'd vision't lot parking it process?" this act(s) where safe

(after ed) on "forgotten ly them" lights continue (to marry) [mist mountain] is 'herent that it acts fall through "come on a nother time, here" some one's limit saying (the reason

says it's) not after all! none ep hem (er al) "pushed to the extrem ities, waits, pushed for 'lipsistic wander" ing sings [me under it] all creation'd self'nd lost

seducing walked one repeat ing tended walking R's 'sidious looked building sings one above fact slide great "in sight oth er, is ev ocated" (tion)


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12/09/2004

ear't'a


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s'1'2'

P's confused (can't) dream respon sible candle head(s) ing "writing it" crossing himself five carts lined up role ed fruit & bread fifteen pairs (pants tied) shirts six consid

ered "great, don't mute, not now" selected structure 'tivist "I've pulled weeds, and rocks..." not moved't saying source 'perienced 'sics uttered as 'nist "four wheels on

six legs" brought pooled about 'totype ing't two to a line't initiated (dropped over the freeway bridge) down't for the new ones standing light bike crossing

"on the fucking sidewalk!" where'st considered a [understanding a factor(s)] parents drove by yesterday seeing 'lity reaching linking what reflects 'ive's

P's confused (can't) it writ ing ideal ing sible head(s) can dle respon crossing five cars lined up above fruit & the bread ed

paper fifteen (moor pants) pairs con sid shirts six ered "great, mute don't, not now" the selected structure 'tivist "I've pulled harmful grass, and" rocks... not moved't that 'per

ienced says the source 'sics express ed as "four 'nist wheel on legs" six brought pooled on 'totype ing't two to one line 't (left fall on bridge freeway) down't the news that sidewalk!

"is the crossing clearly, bicycle" on where'st considered parents [that it understands one factor(s)] directed yes terday seeing 'lity to reach binding what reflects 'ive's


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12/08/2004

eye't't


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s'1'1

looks up 'elfvitiating stomach to intestine "speaking" un 'xpect ed J's wake full (er) 'nism across gravel waged (ing) "pull up the water!" = fear as 'ness'd

dry wind and inject dark (night) light noon "we need him to tell" 'deration car floats pulled when [language] said stops "telling us" losing accompanied sense 'ximity progression

outcomes (ing) parking 30 mph "turn left on San Pedro" from minus fear easy chaos (growing feet) "eased up" [and a] settled newspaper box finger in finger out

"pair of jeans" intersection "not how I remember it" due to cold outcome GSD police head over down arms back in (traded with) subjectivism "thrown up"

looks at above the stomach 'elf vitiating to "speaking" intes tine vigil (er) 'nism full un 'xpect ed J's through gravel under took "pull (ing) above water!"

= fear as 'ness'd dry wind and injects (night) "clearly dark noon needs it, tell" floats car 'deration had pulled when [lan guage] said that "telling us" followed progression

losing direction 'ximity results that park 30 mph "turn left San Pedro" easy chaos negative fear (in creasing feet) "eased up" [and] established finger

box periodical finger is to "pair, jeans not intersection, I remember it" had cold policies result directs the excess arm ed for stops backward (nego

up intestine J's(ing) = wind we floats accompanied


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12/01/2004

tent't


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harry, yr doing some beautiful stuff, both visual & verbal. i love visiting!!!!
# posted by Blogger mark young

 

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't 10

'phrenia choice 'cised 'nt flat stucco 'flection't 'gressed remain(s) tion "car and dog" racing forms "beat to the orientations' here" P reaches (pocket) it

's door block yellow (lined) 'pate antici'd [dis em bed] me et "shoes jump out, here is" 'tistic 'cratic how is it allocat'd? "uh?" did expect an advantage

unclear it' way (s) 'ting in P (looks at you) eye as eye's nois y "waiting hands" skinned stand ready made 'pro bable "lying in the back" put up as difficult

"really? Failure? one to..." most would see it "hands as hammers, arms wrench ed" 'ter 'uation is 'ble 'king 'ed 'gical P paints the wall with sa liva 'normal subjects are"

tion smooth remain(s) stucco 'flection 't 'gressed choice 'cised 'nt 'phren ia to "car and dog" competing "beat forms to orientations' here" P reaches it (pocket) the

yellow block door 's (lined up) 'pate an tici'd [bed one in dis] me et "shoes jumps, here is" 'tistic 'cratic as is al locat'd? "uh?" it waits an advantage it' to un

clear way (s) 'ting eye P (looks in you) as hands waiting nois y eye's peeled stand 'pro made "lying soon bable ing back" puts as difficult "really above? Imperfection? one... "

the majority IF it "hands as hammers, set ed" key to 'ter 'u ation paintings that 'ble 'king 'ed 'gical P wall with 'normal liva sa subjects are


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