harry k stammer
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poetry from downtown LA and areas adjacent(s) |
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Books & E-books
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harrykstammer at gmail dot com |
6/29/2006 tents 91
around the corner "what'd they gonna see?" intentional pursuit (adapted) definite condition very 'plex 'count 'gidity remaining view remain two discussion (rigidity) 'sions aloud "just after your, them of, of" (I imaginary) pronouns 'volution glancing at the wet grass 'ancing 'rass at "lacking flexibility. oh, lacking. uh, between it" way two feet standing in (your) around the corner "now, that. see it?" reflect (tive) reflex extending up to the shoulder 6/28/2006 posted by harry k stammer (2) Comments:
hi harry, i've spent some time reading here (not my first); such a great array of styles, and the images, i really love them
cheers! kris Post a Comment tents 86
covering up distance erect "let's play with combs and see what hair and skin" rounded noose (anger/angina) in deficiency where algae growing acid coffee esp. worn loops "hey, here it is!" bus (less reflux less) means angled by 25 to 26 have three points pointed "in it out" 6/27/2006 posted by harry k stammer (3) Comments:
Hi Harry
I posted some of our collaborations on http://www.lewislacook.com Cheers! And thanks for the latest collaboration(s) Crescent Post a Comment tents 84
fed upon (21 22) less (ly) concrete's threading needle one reflect attach piece triangles over once triangle performs wakes there "grow out, me" out loud (interest intro('ment) orient) 'flect larger advocate "once the hospital released" verbal turned fair style verbal length feeding (fed'd) month end check stretch 6/22/2006 tents 80
influence transparent "look, it's external, exigent" replacing fixed or inner less latent machine (esque) project'd subjective bodies gaze'd discuss & twist isolated bent down "that's where the talking ends" weight broken bits 'actorless from inward (grouped three to two) skin hanging notice hand pocket reach distance'd fingers odd 6/21/2006 tents 74
right angle oblique (never clear) less one hand factor cannot reason relation strength column weighted convention large/thin massed "pull up, drop" girders up'd there empty "now" received breaks through from west (not collapse) attraction weighted rest skeleton around lapped handy "just because the center consists... same," straight 0 6/20/2006 tents 64
attempt door slam car (within) observe "push toward, push away" not necessary orient line direction (trusted location) strong scent 'ulations lying center-on direct or of center (loaf of bread shoe) "its whole, attitude" recording not release without objection inadequate oriented dribbles down the wall "something stable to" trust 6/15/2006 posted by harry k stammer (1) Comments: Post a Comment tents 60
"that objective element, this" expect means waiting orientation large (partly) left lesson "in principle" inherent diagonal watch needs direction predominates "oh, get something stable to," incomprehensible scatter without shoe (s) after (during the afternoon an ambulance pulls up to the building and) lights up balance against one head 6/14/2006 tents 59
nail scratching against (face) spots vague (less "uncheck it, harmful, shit it's," lost scope 'tracted 'tentions 'pose 'ver refusing (serrate) narrow (er) whimper (ing) rising ankles locked hand cheek fingers numb (er) "give me my, give me." analysis (self) bend it slowly 'lotted 'legible red shirts(s) red 6/13/2006 PR Primeau has just published a new electronic chapbook of mine through PERSISTENCIA Press. It's called every, beyond't nothing with cover art by Jukka-Pekka Kervinen. posted by harry k stammer (3) Comments:
congratulations Harry,
Very interesting introduction, you wrote. Reminds me of Art-Brut, and the consequent development of Outsider/Folk art. I like the courage of your language - the fact that you are not scared to use words such as "fuck", etc. - the language of the street, if you will...
crescent, thanks for your support!
reminds me of just about every personal/representative story told…. trauma to trauma, birth to trauma to death, art-brut to psycho-art, art dealer to art dealer, etc. (did I mention love in there, somewhere?) The F, C, S, word thing (that seven word George Carlin rant), yeah, it irritates me and others to see them waiting to be tripped over. I usually ignore them if they pop up in my material, it might just be a found object rock or (higher power) that landed unintentionally. cheers, harry
Hi Harry
I actually love the word "fuck". It's an extremely flexible word. Quite, why it has become so offensive, is fascinating in its self. Why is sex so awful anyway?? If you get told to F**k off, then you are getting told to "sex-act" go away. Is that actually offensive? Yes, found objects - I hear this word and many others on the street - accepted as every day language, so it flows into my text/art. French Connection (clothes retailer) have many clothes in UK with "FCUK" written on them! This is a brand to aspire to! A multifaceted word!! These words tell us much about ourselves - the human condition :) Cheers! Crescent Post a Comment tents 55
attracted contentions dispose over shirt red head hand fingers wrapped (up) lip pule cover 'nade seem right ring finger broken "one more serpent" seraph (less) "well, conveying a statement" is ordinary (crenellated) pulling out sieve mat bacteria poisoning sepia nail declaration (oh, of) allotted negligible 'traction 'rave goods 6/8/2006 posted by harry k stammer (1) Comments:
"the word on the street" is words have lost all sense....
Interesting development from words to abstraction.... cheers! Crescent Post a Comment tents 51
mean it's..." over to talk pulled once (glare) same sense "your fucking with me, you bastard!" grocery cart fingers one end another handle "it's my (mine) aunt's" founder shrink (right) hand swung momentarily where chin up dodging away backs (neat carapace) top-side "walk away, asshole" nothing screen brush 6/7/2006 tents 46
"it ends like," two people walking two people (talking) means desire slap lace'd (s) "becoming (ing)" buttons up denim smooth (it)'s object (...tion) ending spot white hand rolled over between legs nails set (stitching) it smells kerosene up Lucas stopped "end's as well's" looking here end(s) "looking doesn't 6/1/2006 tents 42
stiff'n (around) black plastic floating bag dog over the deck wall neck leash hanging "thinking something?" front paws stucco looking up straight floats past "apparently" scratches hard hands knocking hang'd (necks are strong) "whether, you speak of endurance or" meant artificially collect'd condition same not paused stationary |