10/28/2004
sta tion ed
station 1
pants belt [to the cuffs] scratches re
flex "strings hanging" falling away con
stant haze presses down "holding at three feet" flatten
ed state paired shoes up
war 'dicted ceiling limit
ing disappears (ache ing) one hand pock
et "car to car" intent together
toward relate away past "no change" no re
ference 'red face' 'tivi
ty up condensing 'tration
orange cone hold a broken strap
['erniated she is] fore grounded press
ed into L says "passing in, direct" trans
it flattens ends 'biliz
es (not) within "this crisis,"
the leather strap pants [to cuffs] scratch
re hanging" "strings flexible handle"
the absent haze stant con fall pressures low "hold
ing in feet" three it smoothes
shoes pair been ed above lim
it ceiling war 'dicted disa
ppears (finds it) ones pock hand et "cars to
cars" together intention relates change "pass
ed absent no" none fer
ence re 'red face' 'tivi 'tra
tion condensing ascending ty
orange hold cone filled with earth press
ed brace ['erniated is] front broken L
says "passing inside, dir
ect" transport smoothes extremi
ties inside 'biliz es (not) crisis
"this, ... "
10/27/2004
zzzz's on
x.n.a
"the divide is the bridge" over LA river
1st street
J's feet look feet then feet as feet
when the
sitting socks carefully laid out was
"no I remember" washer through
each feet as each feet "coher....ence"
washing out spread
(spreading) out from the corner down [alluvial]
divide lost from
language(s) influence (ic) "what's the watt?"
picture singing picture ends moment
end moment J says "oh yeah, possible image"
setting the
table together "what is what?" melting
in your mouth intimidated
overcast shifted "from violet to" include not
[a thing] or
that's footer claiming attention J sings "to your
eyes I
sing, to your heart" attentively feet looking
feeting then "construction works
at painting, mudding" sundown shadow in the
river bed
walking the wheelchair sing "to your heart"
pink against 'a blue'
[feetfoot pair ed] nothing to remember
clouds dusk (it imaging)
river 1st street J's writing numbers:
each feet wash ing
"the divided is bridge" feet street
J's exceeding river LA look at the feet
then placed feet socks seating care
remember no washer through each feet
each "coher....ence"
feet wash itself propagation (to
spread) sing low [ alluvial ] divides
lost influence language(s)
(ic) "what's watt?" moments J ends
moment end picture sing
picture says "oh yeah,
image" possible adjust "what
together table, is what?" to melt
mouth intimidated to "dislocated
overcast violet" from
thing includes not [ ] attention
demand J footer that sings "to
eyes I sings, heart" attentively
looking "feet feeting then" construction
works painting mudded shade sundown
bed river walks wheelchair sings "to
its heart" rose meeting 'a
blue' [pair ed feetfoot] nothing
to remember written
street J's river
dusk clouds (it, latent
image) numbers: each feet wash
10/26/2004
w's at
w.1.5.3.7.2.0
Mara raised around each corner (four bags)
down leg up [bench
stood 'anding] J's laughing again juice
shop pants legs tied
tape ankles "no mosquitoes, up her"
not a moral staple
to be pulled ing (then pulling falling
pull) intrinsic referencing
yellow socks black hair "each around"
leg down "no glasses"
"tell us about the time you got stabbed"
not critical
"in the sense" night blooming jasmine
now the fan is
off "in the doorway" punched against
the back both forces
characteristic 'cumbing sense paralyzing
(again, to tie the laces) lower
legs number "got stabbed" got stabbed
unconscious largely both back
J succumbs 'reduce it to inertia' ed to
Mara's needy
difference radiovideo color black cross inter
'rencing repeated (therefore as not)
"taken, as history of house painting"
ah as authority to
J's crisis in the entryway "quoting you, me"
trying to
walk out (afraid to move) (to look (afraidto)
speak)
Mara raised around each four
bags) for low foot ['anding been bank]
ascending J's sings it
(that another time laughs more
mosquitos the feet "no ankles, adhesive
ribbon pants store juice,
above her" moral cramp intrinsic
pulled ing (it pulls then the fall traction)
referencing socks yellow "blackens
around" "each hair, foot glasses" no for
low "tell time started stabbed" "not,
critical sense" jasmine blossoming night
now the fan "doorway" perforated meeting back part
both feet lowest paralyzed
'cumbing characteristic direction forces (another
time, to break bows) number stabbed "got,
both start unconscious" stabbed most(ly)
stop backwards J succumbs 'reduce it
inertia' ed to cross needy 'rencing black
color radiovideo difference
repeated Mara's (consequently not) "taken,
as history painting" house "ah, as the authority to
crisis" J's entryway "quoting, me" to
try walks is (distrustful to
move) (to look (afraidto), speaks)
10/21/2004
firms up
posted by harry k stammer
(3) Comments:
Digging this stuff, absolutely digging it.
David, thanks. I keep going back to Jukka for inspiration... hks
inspired by jukka . . . . that's funny, because the work that i've been posting daily is most defintely inspired by jukka. actually it's inspired by jukka if you like it, if you don't like it, well, it's because i suck. :-)
y..
"guarantee that it all corresponds"
someone who "same feeling" martyr
it "this, it" ((I,") left with) mapping
each out 'tingent
corner J's wearing
two coats two pants other (dense possessive)
"accident, 'stance,
won't not walk, sir?" push in another direction
possessively (sion) sundown
light stopped to decide (decision) left
step step down
eject'd stomach step down out essential'ed repeat
but: from once gesture
ing hand to tongue throat to
point like (ly) full vio 'lch
'ited eager ness 'nous 'gry
stepping stepping down ejecting things
is stress 'tred pulling repeated
number exercise ing
'ty 'tive 'tic 'less 'rative J's mouth
opens wide equaling de
rived sexual six a.m. shapeliness ness
rye distill "had a
great" time borrowing 'sounding eager, again'
pictures behind the door
"your heat is mine, tonight" step
on the curb reading to
the door stucco yellow on
practice leg muscles
atrophied ankle above stepping up and down't
"guarantee this it all it
corresponds somebody that
feeling "same martyr" it
"this, it" ((I, ") left with)
tracing each one for 'tingent J's
sings that consumes two coverings two
pants other (possessive dense) "accident,
'stance, walked won't
not, sir?" pushes one
another light sundown
possessive direction (sion) stopped decide
it left (decision) stage low stomach eject'd
stage low repeat essential'ed
but: a time that the hand gesture tongue throat point step
on anxious full (ly) step ness 'nous
'gry vio 'lch 'ited below
'jection things is stress 'tred pulls repeated mouth 'ty 'tive 'tic
'less 'rative J's exercise number wide
opens equal six ness sexual
'rived shapeliness a.m. rye distills
"had one great" time asks
'sounding anxious, again' pictures
behind heat "your door
are mine, tonight" steps brake
atrophied reads the yellow stucco door
ankle the muscles foot practical one
above stepping on above and down't
10/20/2004
pin pulling
x.1.7.
peering out of the enclosed entrance
(sitting down) where un
leave able "it's cynicism, too. Just ask."
the building is
"blue and pink" across regular noindis tinct
'pircism street demon
strate'd 'which that be' it need not concerned
with (any)
method ical isn't be it "get up and walk!"
this
isn't available apprehend (sion) 'ability
"ok, thinking about, it" colliding
'mology echo [stairwell steps down] J's
leg sores ((smell ing)
infection) "that's rags piled, that's vile
thrown, that's my home"
'vailable 'hended where garment drunk
dazing wind southern based 'low
connecting two immaterially whole [walk stairs
up] necting t mat
what's seen out side (standing up) objectinterobject
facing restored
black flicker whiteblue spotted eye balls
blue blackwhite wake
"a sentence about consideration" re-write
chewing cheek "don't have the
answer, no" interobject staired
pitched ing to immaterial turning
back into "no, revelations" backed into
blackwhiteblue flicker glass pane
watching outside include entrance
(that if it seats)
where un capable "else is
cynicism, too much. part apnea,"
the building is "hazel & rose" through demon
to regulate street 'pircism 'tinct
noindis 'strate'd that one is
does not interested with method (some)
ical is it "lean and walk!" this
apprehend available ability (sion)
"approved one, thinking approximately,"
sores foot echo 'mology [stages for low]
J colliding stairwell ((infection ed ) ing)
"piled up cloths, played home" is mine
'vailable 'hended where garment drunk
dazing based low point south 'wind connects
entire mat 'necting immaterially two [stairs
walked] 't what seen for (being above)
lateral coverings objectinterobject
restored the blue vigil(s) spotted
blackwhite spheres eye black twinkle
whiteblue "a sentence, rewrite consideration"
chewing mordant "no reply, no"
interobject staired launched back
'poreal turn in ", revelations"
supported glass plate twinkle blackwhiteblue
10/19/2004
v.2...2... .ed

posted by harry k stammer
(2) Comments:
there's something about a cheshire cat, that gradually fades away until only its smile is left /before that fades finally........
v.22
"thought, relinquished on up, pouring drain down"
time to drive J's thinking 'big
balls' dis 'tent isn't he came out
earlier doorway pissing
"nose to the wall" reaching permanent (no) n
yet some
says "writing in sentences" pointing
like 'nargarjuna weeps, ing' 3
steps down waiting back response not
forwarded or stepping nor
encounter ing pushed out (meta) fuck them
"it's not emotional
fields newly turned" J backs into the
doorway 'olated "none
edges this moment here pours over,"
placed said stage'd and
murder ghost ing reflects 'off of Mexico'
TAXA flights $199
Puerto 'llarta them fucked turned
into directly reference usual (as)
de reflection signed twiced away
quality bricks aged reader logo
s "dressed up for Saturday, come on, lets
go coher
ent (another partial number) 'where as'
therapy backed into doorway
"not fixed" J's eyes between "and the glass
is not
opaque" opens up belief that doesn't
'flection "Saturday, come on"
"thought, abandoned on above, down"
spilling drain hour to direct J's
that thinks 'big balls' the dis
'tent isn't came "nose pissing
more advanced entrance to wall"
reaching (none) permanent n however
does not say "writing in sentences"
pointing as 'nargarjuna weeps, ing'
3 stages for low they wait sent back
reply or step on nor meeting eliminated
(goal) "fuck them turned" emotional
fields "it's recently ‘ack parts in
edges that" none entrance 'olated this
moment here special tax on J said
"placed ghost stage'd and murder
reflects" 'off Mexico' $199 flights Puerto
'llarta that TAXA fuck’em directly turned
in reference usual (as) signed reflection
twiced reader who aged quality absent
bricks soon s "dressed above for
Saturday, approached, leaves to go coher
(one another partial number)" 'where as'
the therapy supported fixed not entrance
J's eyes enters "and that the glass
is not opaque" it opens above opinion
that doesn't 'flection "Saturday, comes on"
10/14/2004
u.3...2... .s

u.3...1... .

u.3.12
"start over, again" raise itup (itup)
back n' hand broken motor hearts
as's night held't whilewhile you
play a blue "tune" to
con se quent "rather than" tempor al
start again chug
chug-ug syntag (mom's home, now!)
play that across 'tic "clean
up the mess" 'matic E's arm up
it's mantle-ing despite
one thing then another "depending nec
cesity" to 'cognize't many
folding chair against [it's just the
Figueroa stairway] 'peatable re
evented walking around a pile
'of shit' shit my arm
on digged stick through 'tention
contingent [can trash fire] it's
lower smoldering thing another
one dependent ly shit'z E's walk
away differ "the street turns purple
tonight" one eye open
squint sighted feet sideways rested
head "that's only a slight"
shuffling un ground pained foot to
foot caught "spotting significance"
a louder voice "says it all, ya
know?" hand to
face blanket pulled back light
two eyes opening "truth ly"
"start on, again" it raises itup
(itup) n' back held't hearts
delivers it the broken night to
it as's engine whilewhile game
one "tune" blue for con than "quent"
rather IF the start al tempor
chug another time syntag chug-ug
(mom's home, as) "clean 'tic plays
this through ascendant mess" arm
'matic E's above spite mantle-ing
it's a thing then one another one
'cesity depending nec 'cognize't much
chair folding itself meeting [it's
stairway Figueroa] 'peatable re
evented to walk around stack
'shit' digged through arm on
pole with 'tention [can fire
lower garbage] it's contingent that
smoldering thing one walked
ly a dependent shit'z E's differs
moved away tonight "purple
one returns street" an open
eye squint feet the rested head
sighted "that's laterally one
slight" to shuffled land un
cause pain foot to significance
spotting stopped "says
higher a voice it all,
know?" ya hand to face pulled
genera(lity) stops backwards
illuminates two eyes that open ly truth
10/13/2004
t.1...4... .

t.3.0.4
oh jeez "Eliot’s symbolism is
almost complex" rituals eaten after
(after) location on "filming
3am 4am 5am" bunch'a cars up
and down "feet bouncing, remember?"
smelling the back 'sizzling' dull
"you don't walk blankly, do
you?" no almost whole block
lit'up numbers one yard
between lines sidewalk ing north in
"it's pull up the pants
and walk away, way, AH!"
struck off dis course it
heading to a bus stop
hands in out "holding a large
role" in out "forme"
smiling "forme" for conscience
food no send yet suggest net
holding cuffs above shoes before
thinking "pull up, pull!"
14... 48... 22... 56... 31... 06...
39... 14... 48... 22...
57... 31... 06... 40... "I don't
know why" assumptions not
values per 'bism as 'rism as 'da
one device on
another figure 'ation "you know"
begins with names opening out processed
whether "pulled up" from meteorite
(s) by rocking 48... narra...
the symbolism "Eliot jeez oh,
almost complex" rituals after eaten
(after that) the position in "filming
3am 4am 5am" cars bunch'a for above low
"feet that it jumps, remember?" smelling
'sizzling' back it don't "you dull walks
blank, makes you?" no almost entire block
lit'up numbers one yard between line(s) ing
sidewalk inside north to pull top "it's the
pants walks moved away, way, AH!" hit outside
dis role covers heading to hands a bus is in
"holding one, great" it are "forme" "forme"
smiling the food conscience none emits
however suggests liquid arrest cuffs
above low shoes before thinking
above "pull, pull!" 14... 48...
22... 56... 31... 06... 39...
14... 48... 22... 57... 31...
06... 40... "I don't knows
why(s)" values assumptions
not for 'bism as 'rism as
the device 'da one in
another figure know
"it" you it 'ation starts the
names that open processing if
"pulled up" meteorite (s) for tells
48... to it balancing...
10/12/2004
s.1.5.4....

s.3.0.4 "comman'dd?"
"it's this point of view" bad for
is said but edge'd it says some
steel window current thing that something
only says the current ing assumption
ly giving above vowels "it's this, too"
non 'weyou' the current essential cut
error face'd 'band for mountain ranges
wants point sight isn't "this, " un
this shelf rainless (absence) 'slugging
scotches supports two that smoke
parliaments one by one 'one of "sand
& lonesome" example colors complex meaning
'thermore four months of "so, so"
edges to "Buk" glass as 'after ly 6pm
shows above and drinks my whiskey,
mine to smoke cigarettes then fucks me 2am,
too' 'ned bag for low has adjusted
to the difference isn't as arranged
sun stops backwards delivers 'flicted
"followin' those points southern" the EL
Paso starts (sand dunes enter) since
that Little Rock Dallas "symbolize,death,
winter" the bag rank low
enters "might all also blink the point
that it spots for are
west" followed low difference
10/7/2004
rrrr...

posted by harry k stammer
(2) Comments:
harry, really beautiful ! Jukka
oh yes! con curred, the hare the hard k conquered-- with senor cur--happily nappily at warm side. keep on, c
rrr.. "spoon'd?"
"walkff" stagresence "mais sloezzanine fow whiurns
tbsent circlre armbove smoos lookit inccess
"concentratied" ligack paraffic sloime toiir baisappearance subjead pad togethase ligtreet braround
"facame, samhing timeing ahing onother onoesn't iurt?"
maar thiay atep s truct fos speciotes writty oou
extir& "skillabor" plaands surroundertain thmake occurrinn manifestt" posmooth thxcess streos Angelerrat') (songer
risnd abolevator rigide leathtrap lot "jeeimple
appearannside stagn ot's tainly aboivision fingeircle
fos Alisoave scratchut "timeoo mureen ligho accessintrations
itnother tiame tome faco 'thants belpimples, all"
r.0.1.3.5
"walked off" Main steps down
mezzanine ramp "is presence" as
E turns away circles arm up
Aliso standing looking
on ramp traffic back red light
"concentration access" time to "bad
air" disappearance and subject together
paired curb street light base
around "same faces" same time
one thing but another "thing"
"doesn't your head hurt?" car this way
one foot truck
tread s out special ly written
notes about extirpa te &
"skilled labor" or hands placing
compassed certain that way occurring
"make your manifesto, post it"
Aliso at Los Angeles Street
over (irrat') not longer (s)
E scratches above the belt right
side lift look pimple
"jeez" appearance within a manner
it's two steps mainly up ward
in circle fingers out wave
ing Aliso's scratching too green
lights "times to accessing" 'trations
it's again same some faces 'ther
pants down "pimples, all"
"walked off" stages presence "main"
is slope mezzanine for low while turns
the absent circles are armed above
smooth is looking at in access
"concentration red" light back
part traffic slope time to "air bad"
disappearance subject had pair ed
together base light street brake around
"faces same, same" thing timeing a
thing one another one "doesn't it hurt?"
main car this way a step s truck it foot
is special notes written ly on you
extirpa & "skilled labor" place hands
surrounded certain that "make occurring
in manifesto, it" post smooth the excess
street Los Angeles (irrat') (s) longer
risks and above elevator right side
leather strap look at "jeez" pimple
appearance inside stages in one it's
two mainly above division fingers circle
for is Aliso's wave scratches out "times,
too much green lights to accessing" 'trations
it's another time same the some faces
to 'ther pants below "pimples, all"
10/6/2004
q.14..5..2 "oney?"
"honhrough strei!" wavithers fre "count'eome tonighxcess "comiuh? " buhe hainside
fingandage foyeball toint lesaises foreheye fourneyed" beiothered destinhrough fuh,
tranquou iased in," halumniate (tii!" tave canne "sawrick loadio tricks the bir)
abilicraping fy" (less) viewed(iaxative objectiatting (paddilose) sounpposing
iroeturn prefeen coupli's [thoug??] "shithits" despairet unlehe reubstances onvincy,
bote 'soluhat ielieves teem clearore possibbsent thinurrently aftind coh, coint
sentimeou wrinternals, atage abooverings staibsent doround "ereeen, I'vhe entiday
about tast uere "gonliding orack hanphoira Eit involvhe principlowly aounds), choose
up?" fohe intaarticle feelid) (sdearemesis
q.14..5..2
"honey, across the street" waving "Hi!"
another out come "count'em"
"coming over tonight?" huh? but
hair within bandage finger to
eyeball point less up eye brow for
destined bothering "journeyed"
thru tranquil "oh fuck, you based
it on," calumniate (tion)
"hey, Hi!" waving cannot be "saw't"
carrying brick to bricks
to birth (to) and scraping ability
by "by" objective (less)
laxative viewed(ing) patting
(padding by) sounds opposite H's [thought]
coupling viewed instead returning
"shit's irony, shits" despaired it unless
actual matters convinces "by, by"
'dote 'solute rendering two appearing
clearly plus possible away things
currently past mind to come
sentiment point can "oh, you write
internals, and" step up
stair facing in away door out
"I've been standing around"
all day here all "about to blow up" 'phoira E's
hand rail (slowly involves principle
as sounds) slide "gonna pick
me up?" toward intact particle
'dears' feeling memesis (d) (s)
10/5/2004
p.4.1.5
"do you think they got it all?"
cigarette hand brown and black
waited paper in hand "it's
a big lump" window mirror
distorted presented outside
considered useless one story more cup full
choking vomit on awaken E's about
"helpless forces" another hidden
distort eyes widen "they got
it all?" layer & layer
speak bursting candies "peach &
strawberry" 'ware ness collapse "gotten
all" bringing (ing it) sorption
worldly lation imulus (tial) fond
confronting (nothing?) "being isolation"
being rec cog nized peaches 'dies
confront not (objects floating in
streets metaphor) pullout another sentence:
"but why am I?" ('daires) but tryings
strawberry (isolation) ones
E's toes (updown) tapping fingers
end pointing "pull those
up!" down once as isolation two
powered greater by three
'adored baby' "someone's duty to"
relent (soften) amount ing repeat
"even another toe tapper, but once
is" vomiting motion left
"toes a tappin'!" back ended scenic
what send'd a tappin'!
"do that you think that all?" had
started it brown and black waited paper
"it's disposed hand cigarette one lump"
great the mirror window distorted the
presented external part considered history
that useless vomit blocking full cup
awaken on E's on forces "helpless hidden
others" distort the eyes widen "they had
started all?" to it layer & layer speaks
blowing up "peach & strawberry" candies
collapse of ness 'ware "gotten all"
bringing (ing it) to become attached (tial)
worldly imulus lation sorption (nothing)
isolation "being to be cog" rec nized
peaches that 'dies not (objects that
floats metaphor streets) pullout one
another sentence: "but because am I?"
('daires) but strawberry tryings (insulation)
ones E's toes (updown) the extremity
beating fingers pointing "pull that one up!"
for low a time as greater insulation two
powered for three 'adored baby' to "duty of"
someone's relent (softer) repeat an
amount "even one another beat finger
foot, but a time one is" toes left
movement vomiting "one tappin'!" back part
finished scenic that send'd one tappin'!
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