harry k stammer

poetry from So Cal and areas adjacent(s)

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11/30/2004

ident'tfoot


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9 't

(er) internals multiply "please step back from the street" dis harmony an (chromatic) a J's finger speaks up "I'm so tired of it" root ed spoken in tense less each

(s) mono syllable 'pathy J mouths it "cacophony, ca co pho ny" ca ca phon [never new] "beating on your door" a mo ment a while walking a

way hiding under "shit, build ings, rain" context identity trash ing 'olitics dropping "push that cart, that gro cery cart, it's plastic and rolls faster [sung in 2]

or 3 framed or bagging one although't identified but not brok en from't "she died, in her sleep" last night no 'cation pull fingers while ed 60's (windcold) smile (ing)

(er) internals multiplies the back part stage "please street" the harmony dis (chromatic) a finger J's speaks above tire "I'm thus it" root ed said in the time but each

one (s) mouths mono syllable 'pathy J it "cacophony, ny" pho ca co phon ca ca [never new] that "beating in its door" one mo ment one while walking way that hides

under "shit, ings configuration, rain" push leaving to fall ing 'oli tics garbage identity context that cart, this car cery gro, plastic it's and coils [sung in

2] and 3 had more quickly mold ed or bagging one although't i dentified but "she to it en from't brok did not die, in its sleep" last night fingers traction 'ca

tion when smile ed 60's (windcold) (ing)


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11/23/2004

eye't


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s8 t't

described (outward street into) J's eyes building (s) flat "it's not that I would it other" to a friend in volved with 'ssocia tion walls around ficus trees

"get up your anomaly (s)" or der them up around 'the block' go sing ing "save me tonight, not in itself things a" pproach 'plicity bot tom 'ntonic 'oid'd

framed J's mind blank rectangle plastic cup clatter wind flat two square 'irectness goal "says, you" category less 'nvity loosened 'spectival sensitive says

"acne scars, left" what was that cut edged rolled (ing) into dimen sion(s) "stay with me, you gotta" moment when stand ing J rests breath in hand bench air condition

(external street in) described J's eyes smooth building (s) "it's not that I it other" a friend 'volved inside with the walls tion 'ss ocia around the trees fi

cus "get above its anomaly (s)" or give they around 'the block' "saving to night go sing me it today, not a" thing tone 'ntonic 'oid'd 'pproach 'plicity bot plas

tic wind two 'irectness clinked cup rectangle blank space mind J's "says squared smooth picture objective, you" cate gory that less 'specti val loosened 'nvity sen

sible says scars "acne, left" what it was that the cut sharpened roll ed in dimen sion(s) "stay with me, you gotta ta" moment where J stands rests conditions benches air banks breath


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11/18/2004

share't


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First a few days of silence and then we get to see pieces like share't & mouth'ng. Where do go for them, Harry?
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st7 l't

statue J's face lower (nouns) 'tentous "part condens, ing part" statue after pain "after coughing, I" processes it's sing "determining the next, text" 'tue 'ture forming

throat (played up) J says "it hurts, here, there and here" discrepant'd well should this resolve create sound(ing) over it "as two others" tonight Hyatt tomorrow "I can't stand this

much longer" kept up drunk fucked da zed "creating new ones" n'ones 'man tic 'bination 'n new ones over 'spec tive 'plicity "take up virtue (s)" bottoms dropped

natures 'egory statue'd J's activity 'gruos in 'oral 'atial walk step to step foots "there, here for me" to hot to cold (a once) missed "at whatever, means"

condens lower "part face (substan tive) 'tentous J's statue, part" statue after "after that coughing, I" pain process es it's sing "deter mining the following one,

text" give to form 'tue 'ture throat (play above) J says hurts "it, here, there and here" discrepant'd good if this decide to create sound(ing) on it others "tow" as today night Hy att stand "I can't tomor

row, this much longer" fuck drunk 'zed ones "new" creating "take I excess 'bination 'n new tic 'spec 'plicity n 'ones 'man above virtue (s)" deep left fall activi

ty 'gruos natures 'egory statue'd J's in the stage walked one 'atial 'oral to step on "there foots, here for me" hot one (a time) to "at lacked cold what it wants that, means"


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11/17/2004

mouth'ng


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sta 6 spell't

U rolls over "making a room" a space (community) rain waved splash tarp 'section rounding empty to asphalt (added blurring) laugh'd "not whether, merely" make

room & rolling (over right arm) echo drops "each complaint" 'tinguish it intersection U watching "waiting for an accident to" this light 'oom & 'olling "never wit

nessed one" turn left pedestri an two legs from under tarp back ac cording (ly) [difference blur] ing walk out cen ter line "looking for 1st" coat up around dis solu

tion mound of sand piled up "and, how that plays in neutralizing" in windows down face mouth yelling "move, ASSHOLE!" bent up fingers "kick the door" over rolls hated U

windows it faces for low mouth cries out "move, ASSHOLE!" folded above kick the cen for line having that "looking for 1st" covering above around solu dis the light

'oom & wit of "never of 'oll ing nessed one" it turns pedestri left two feet echo room & rolling (right arm excess) leaves to fall com plaint each U rolls on "making

one room" rain space (community) waved to become rounded tarp fin gers door "the exceeding coils had hated U mount tion sand pil ed up above" and as that

one plays neutralizing in in ferior back part tarp that cording (ly) [blot difference] walks 'tinguish it from wait ing giving attention intersection U one ac

cident this 'section of resting empty to "not of asphalt (to added) laugh'd if, merely" it makes


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11/16/2004


touching


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sta ion 5 cou rse

"all of you can go die!" that's it "uh, ah" means as alarm pulled out and (out re) acted instead to ugh [more addict] ed char acter 'butions 'tense in

preferring using which'd wrap ped and round (building alarm) sounding "take this as dis advantage" asn't course tolo gy [up in the morning] 'asleep at the fire' while "ma

ma" dies in the V.A. extend ing serially "shrinking isn 't" forgetting the 'headache' eating chow mein fingers (wrapped it up, again) all to die a die

"voices can go die!" one is it "uh, ah" half alarm it removed (for it re) preferred acted time 'butions 'acter char ed ugh [more vitiat ed] inside to

prefer wrap using itself which 'd 'ped round (alarm building) sounding "take this advantage" dis fool [above morning ] 'a sleep 'gy course asn't in fire' when "mama" the V.A.

extend ing who "shrinking series isn 't" forgetting it 'headache' eat ing fingers mein chow (involved above, a nother time) everything to die


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11/10/2004


sack man 't


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awwww... forgive me but i can't resist: i want this to be of silk and then i want to wear it. that is not being forward at all, it is simply my best compliment--a lovely piece evocative of celebrating the texture and the lux of life, harry!

best wishes,
chris murray
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stat tion 4ss is

falling "get these?" asked fail wait ing (Mr. Bag Man) L's heart 'attoo "else we're going n'die!" 'pent 'pression an eye 'd looking 'ticed hands reaching to take (reached 't)

these? "fall get" "else order we're n'die!" going heart 'attoo wait im perfection (Mr. Sack Man) L's 'pent 'pression an eye'd that looks at 'tic ed delivery to reach

to taking ('t reached)


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11/09/2004


'sis locat'


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stat tion 4s fis't

love (only) feelings 'tirely 'tactic shifting "she was shot last" a round 'matic "you can say foreground" (fuckU 'ems) resulted 'atic "and those hands" exhaust dropping

"she dislocating feelings 'ti rely 'tactic love (only) was last" shot one "you round o 'matic say foreground" (fuck U 'ems) "and resulted of 'atic that one hands" to leave to fall exhaustion


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11/04/2004


c a e f u s e


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stat ion 4 fs't

"a sign ed" to me any one "clouds up behind the front (ed)" 'dence 'jects cornered 3rd and Broadway bottle't mar ket ('tactic cuffs) leg'bnd "play with the (each) 'tically

ed signal "a me some" clouds one above behind the front part (ed) en closed 'jects 'dence ket Broadway bottle't March (cuffs) 'tactic leg'bnd "play with (each one) 'tically"


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11/03/2004

caefuse


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station 3 ls't

"that's a big crap, dude!" oh sir [for give me (future 's)] can can 'turs op erated peeling up paint brick 'et vocab 'ative 'cture brushing off ash isnt (ing) lit now'd

P stands at it "sigh" ing it chick en baggy 'counter 'amine "shewsssh!" to "and there are thematically" bag crisp bag open it up now up standing around it trash can

fire big crapping meaning (s) 'mal "are you ready to forget, it?" not 't (that failure) devalue ((ing)) 'ranted 'terpretive framing out 'ween 'cile

can refuse put fire large "are shit ting the significance (s) 'mal you ’re ready to forget, it?" not 't (this fail ure) devaluates ((ing)) 'ranted 'terpretive framing

out 'ween 'cile lit now'd P stand ing him the "sigh" ing it "shewsssh!" full 'en 'counter 'amine chick en with "and there is the matically" crunching bag open bag it top maintain

ing top holding around him "that 's a large shit, dude!" mister Oh [for elasticity (future 's)] can put out box 'turs operated ‘eeled top vocab 'ative

'cture brick 'et painting sweeping in addition to ash isnt (ing)


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11/02/2004

sta tion ing is't


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station 2 ed

itchy balls leg hairs head lice re sult "ok, asking... what?" sulk till noon po ints suggest ing attached 'ursor nails to slowly express (ion) 'rication 'niably it's

"time to riding" rather index read ing giving "itchy" ness smelled 'tumn relation to one sting needled descendant pointer (s) unwinding 'tached 'iving

'mergent(ly) no logic 'ainty floating at three feet (of such a) val ue reducing [itchy continued pall face in "comments aren't welcome, please, 'way 'thin 'yn crazed] at

irritating hairs leg balls di rect lice about the "ok sult requir ing... the what?" sulky just what inter midday sug gest nails 'ursor join ed ing to express slowly

(ion) 'rication 'niably it's "time with riding" rather 'index read 'ing giving "itchy" ness felt relation 'tumn indicator de scendant upset by puncture

(s) unrolling 'tached 'iving 'mergent(ly) logic 'ainty mo th floating three feet ('un such a) 'ew valley re ducing [continuous face irritate ing in wel

come "comments aren't, please, 'way 'thin 'yn in 'sane ] too


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11/01/2004

Broadway 'n November


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