, Hamlet farting smiling and all/or

Diagram of Landing IV

q.2

H lacerates hand with a razor blade and bleeds 
that the richness in the observed minute then
another time another time to one cognate to one
"birth put it put it generally" looking at H around it
singing in the street in the street one another

Telemachus one wild other fuck(er) shown 
mother who dances assisting(ed) night to negotiate
droppings pigeon or obscenities crying out of the hawk 

no 'DASH' in the back part

"of Spanglish Cuba Cuban you asshole" screaming
oh, you say(s) unhappiness of the word conditional
is marked by the lack lack of alertness
minute to draft updates in mine embolism-ism-ism

pulmonary of death be-it of the mother
reached and emitted to a diverse street
to informing(ed) to sing walking of men
"slaying its tender slaying its porters, when waiting, loot of wait
when waiting?" isn't waked up H not now none to know this isn't

the second time that happened(ing) it's under
the aluminum awning it piled up boxes a soft hand
of bandage(ed) to be worried on as to describe
connected in the light of day of history(ical) to
involve two eyes a count of a card none-exist(ent)

none of return concrete of the entropy of
dark(end) (if you look at above) 

Diagram of Landing IV

q.1

H lacerates his hand with a razor blade and bleeds
it's fortune in the minute noticed then again again to
one cognate to another "birth put it commonly put it
to" looking H around the corner onto 3rd street

"thrown into the street" another Telemachus another shown crazy mother
fuck(er) dancing the night assisting(ed) to deal a droppings pigeon
or falcon screaming obscenities on the 'DASH' in Spanglish "go
back to Cuba you asshole Cuban" oh, you say

say unhappiness is conditioned marked by lack of alertness lack
of minute to minute updates on my mother's death by
pulmonary embolism-ism reached and sent to 4th street to informing(ed)
several men walking singing, "slaying your suit

slaying your boots, while waiting, waiting for loot while waiting"
H isn't awake not now no knowing this isn't the
second time it's happened(ing) under the aluminum awning he has
stacked boxes a tender bandage(ed) hand

worrying about how to describe engaged in history(ical) daylight to
involve two eyes one inch from a cardboard no-exist(ent) concrete
dark(end) entropy (if it you look up) returning no

Diagram of Landing III

z.1

engaged(ing) activity repeat it(ing) "I
don't care how juicy they are  - already nough"
a H whispers "will you
take this/these ants?" with
the house it/they live(s) in

tents put up red deep
black rope pulling since
complexity electric bulbs hung(ing)
hanging to somnia-manic sleep
gently however consumed
hammered-ing Ceravno and Astra
dancing around tapping a hat explosive
brim run run run run run

chanting

"take my hand, take my arm
I'll take you to the sea"

singing

"my hand take
are take my arm
to the sea to take"

H rocks back once forward
the soup sign reads Circe
around a circle painted red
[faint-ing spread sausage in
order by length] width
staked attached nuts bolts pole
run run run run run

did she say epistemological eatery
engaging-ed activities re-re-repeated it
not well done enough an Aretha hand
slides over the counter "I say Franklin
was my man" kite & key that's what
we'll be-iac

, Ophelia rug burn and all

Diagram of Landing II

y.2

to choose above the waiting
of the garbage another time H: the puncture
of hydrant of fire opens
comes to is
one eyeball 'reading, absorbed land
intuitively one pushed(ing)' that it leaves
to fall the random jumps
secure on the ground
H eyeball of accident plurality
'safe damage' that is eyes H
eyeball of function of gut
= an only guttural eyeball
attack/incursion of 6879432 when back
stages H had reached for
eyes of paper stage composition to cover girls
not only one another algorithm
"baby, oh, baby" not to be that
the perception of push-ups that
toeing lightly around the great time of I
sing of the Grand Street after
raised in another way scripted empty 
eyeball H in consequently

Diagram of Landing II

y.1

picking up trash again H
waits: fire hydrant hole opens out comes an
eyeball 'reading, absorbed an intuitively
pushed(ing)' ground dropping
a plurality accident not random
eyeball spits H jumps 'secure from harm' it's
a gut function guttural =
6879432 eyeball eyes H
single eye attack/incursion? when
steps back H has reached for paper
eyeball stages makeup to cover
girls not just another algo-rhythm
"baby, oh" except push-ups perception
toeing lightly around the corner Grand Street tense
past other-wise raised scripted
eyeball H empty in a therefore

ringing out the

Diagram of Landing I

z.1

once juncture stepping lavatory cutting soap
"hanging the bar over the faucet, high"

ho

	scrap nails			air beauty spray

		gutters swept brushed hair

			other than the

			vacant lot T is

			freezing and screaming

Japanese insults at pedestrians
"oh, just missed medication, blah, blah, blah, blah"

z.2

a time soap of the cut of lavatory to step on of juncture 
"that it hangs the bar on faucet, rise"

ho

	the scrap iron nails
		to the spray of the beauty

		of air the gutters had swept
	the hair brushed to the exception

	of the crowds vacant T is congeal(ing)
		herself and to cry out insults at

Japanese pedestrians
"oh, medication lacked just, blah, blah, blah, blah" 

Cahuenga IV

x.1

of wide ideas pupils the

historicize it – take some 'language' put in a bowl add
water and salt and egg whites: buses are rolling again
what does E think/say the environment within the rolling
thick exhaled glance stare(ed) stops talk

distressed personal absence restricted in someone's ability "people of
	France"
E removes his clothes and becomes Canadian not caring not
relieved not knowing(n) seat neighbor moves away "pushing don't push
So hard" wide pupils wide ideas talk

x.2

ideas pupils of the wide

historicize take some "language" position in a source bowl adds
the targets of the water and the salt and the 
egg: buses is rolling again what does and think/say the
atmosphere within densely exhaled charged it 

of the shutdowns of stare(ed) of the look of the 
balance the personal absence caused sorrow restricted in the people
of the capacity of someone's of France and acquittal its
clothes and gets to be Canadian

taking care of them neighboring movements released of the seat
of knowing(n) next(to) pushing does not push(so) hardly of don't
to move it ample of the
 

Cahuenga III

a.1

individual leading in to an ethic of love "of love
in me and me" E bites her middle finger left
hand curled around arthritis little finger says to middle finger
"respect me, others of otherness-ing" don't

provide frame when works insist Kant on ethical people problems
don't mean youthem "oh love ethic" singing under plastic/
nylon sheets turn it over subjective singular plural-ity difference
	movement(o) 
"oh god help me" this aching aes-the-tic

solar attacks solace attacking "G wants hot cocoa" continuous recording
forward to a destination a passing by of stores on
Temple movement advance implementing 'modern' spread over elevation
	causing vertigo
E says "projecting myself-self to you to-you you"

"my love ethic" dancing dance around me as around portable
toilets naked E lusts-a a-power a-pole a fragment(o) thought(s)
turning ignoring "love ethic is mine" asserting the bus forward
without methane or diesel nor "the ethic of love"

a.2

individual leading inside to the a-ethical of the love
"of the love in me and me" and E bites
her left hand of the wary average finger around the
arthritis that little finger says "to don't" of the otherness-Ing-Ing

of the average finger "respects me, another one" supplies the
frame when the works insist Kant on it youthemyou ethical
of the "ethics of the way it don't them problems
the peoples of the love, oh" that they sing under the return

of plastic nylon of levies the excess that
movement(o) subjective singular of the "god of the difference of
plural-ity oh me aided" this aching aes-the-tic continuous writing of
attacked of the hot cocoa of solace solar of attacks
"G wants" onward to a destination a ticket close to the store

in executing advanced of the movement of Temple
'modern' the exceeding rise of the propagation that cause(s) the
vertigo and says "to project myself-myself-self to it a-you you"
of the "dances dancing my ethics of the love" around me as around

the undressed a-polar region of the a-power of lusts-a-ssuming
of the portable toilets and one thought(s) of fragment(o) that it turns
the ignorance of the one "of ethics love is mine" that affirms the
onward busing without methane or diesel nor "the ethics of the love"

Cahuenga II

A.

LADOT is running and is cheaper no visual cues not
to E it's a figurative running the wind from a
fly attempting to land hisher hand some seats reclined
some to highlow to sit is

E says "the unconscious is re-structured, a chicken wire under
a lathe & plaster(pale light red yellow)ed" repeat
associations versus representations-pre buses blued striped boxes
	bound away
the fires fire smoked into wind isn't

fuck fragments "let it flow like a river past Glendale"
not St. Louis although (big syllable words) no smell to go
and "why does he believe it's a lavatory?" that won't
stop the bus it's a visible process isn't it

is conventional transportation whichthat disrupted down Cahuenga updown
	Temple
to Benton & steps off and sits down on a 
bench (a bench assumption) not even a flux as you
pull out a previous thinking and tie it to

B.

LADOT is functioning and is cheaper no visual suggestions not
it and that the wind of a fly is a figurative corridor that
tries to fill with earth the hand of hisher some seats
had reclined some to highlow if to seat they are

and says "unconscious re-structured, a wire of the hen under
a lathe & red clearly of plaster(pale yellow)ed" the associations
	of repeat(ing) 
against peeled boxes blued of the buses
of representative-pre limit moved away the bound(ed) that

the fire smoked in the wind is not the fragments of
the fuck "had left it to flow as a river after Glendale"
St. Louis even so (great words of the syllable) none
I do not smell to go and "why it believes it is one lavatory"

this will not stop the bus that is a visible process is not
it is whichthat conventional of the transport disrupted
below Temple of updown of Cahuenga the Benton & the stages
	are and sit 
down for low in a bank (an assumption of the bank)

not leveling a flow while you remove to think precedent
	and mooring cable the a 

Cahuenga I

E asks "what did I read?" one shoe one bare
foot concept are not inadequate contradictions do not lead to
a more ad-e-quate-ness left foot toes black it's all all
all gray while sliding to

what what what? Temperature it's not finished now not failure
is it coherent? is it finite? "oh god please hold
my head in your hands" E lifts his left foot
up then his right foot up

this bus no handicap services "mother fucking bus driver are
idiots" and unceasing lined up ant hills ants with little books
'Oedipus book, libido book' the noise above: whir whir whir
whir whir whir whir whir whirwhirwhirwhirwhirwhirwhirwhirwhir

baked finally the bread temperature turning/ed

singing,

		"pencils in my hand
		red clouds hovering
		blue sky bands
		Jesus is a helicopter fluttering
		Over"

E's head up staring into the whirring a real
itty itty itty built up with yakking yakking whirring around
windows whirring to reflection whirring windows around E

Van Nuys/Victory - 2

2


-the bus winds winding up Lankershim past Universal past Barham
over the hills and into West Hollywood E weeps and
walks singing "gotta get back, back gotta get to Cahuenga"
crazy bug flying at
-lights formation jet clouds pink and blue October dropping things
dropping other things E sits and naps: the pain
the lower right/left neck to shoulder pencils dancing dancing to
Cole Porter drop it drop
-bang klang crash splat splat bang ding dong crash splat
E hears it the dropping the bus stopping the wheels
popping eyes see smell it patterns dialectical conflict methane fumes
as crash like splat as bang
-crash klang bang splat band ding crash crash bang dong
E still hears "it" dropping bus stop while wheels turning
eyes popping smells see "it" still not changing not change
"ya, can't wiggle into synthesis" portrayed as

2.1

the bus rolls the rolling
up above of Lankershim after
Universal after the Barham on
mounts and in Hollywood occidental
person and weeps and walks
wild flight of the error
to sing "started to start
stops backwards, started it stops
backwards starting the Cahuenga"
in clouds of the spurt of
the formation of the rose
lights and the things leaving
to fall blue of October
that leave to fall others
things and sit down and
naps: pain the throat lowest
of right/left to push the
pencils that dance dancing
to the drop of porter of
Glue the drop splat and
of the electric noise of
dong of ding of the
boom of splat of splat
of the electric noise of
klang of the boom it
hears it to leave to
fall the bus that for
the wheels the land the
eyes for seeing I smell
that dong shaped emanations dialectical
of methane of the conflict
as the electric noise as
splat as the boom and
of the boom of the
electric noise of the
electric noise of ding of
the band of splat of
the boom of klang of
the electric noise it still
hears "--" the jamb of
bus leaving to fall when
the wheels that they turn
the eyes that "ya wiggle
while it still turns it"
not to change not it
"change portrayed cannot wiggle in
the synthesis" as it as

Van Nuys/Victory - 1

1

the park has trash cans trash and cans sometimes both
out of the pocket forward in jeans coins of both
the the park park cans of trash sometimes cans of
clothing cloth clothes of

E thinks: there is a reason to reason where be
here B thinks "oh, guardian, uh, you?" which one which
of the two the two mother father the behind car
hiding rear tire one right

three left in the/the in market lot parking of
power versus power external/internal re-pressed? "what the hell do
you think you are doing?" an LAPD cruiser blue uniform screams
E steps back onto onto and

pay attention to the concrete surrounding the street the curb
the flashing yellow lights mother and father and son and
murdered one over the encourage-ment the cans cans park park
cans of sometimes cloth clothing of clothes

Los Angeles & 3rd - 3

3

let's shift our attention from questions to process an internal
dialogue to outward world viewed un-effects of boiling rumination
bad/good
it's an answer from a future respecting the where
the when-it the why-it the

how the skin reacts to direct sunlight hours eight of
also dead touching forth-blood spurting again again arms crossed over
E is concerned looking nails finger no nails no heal
ing refusing help to need which

let's outer world changes of position our attention of questions
to process an internal dialogue to the seen e-affects to
boil it's of broods bad/good an answer to respect
of the future where when-he why

-he how the skin reacts to direct hours eight of
the light of the sun of the stirring ahead-blood
also died that forth gushes again again the arms and
excessive crossed-ing it talks about that that the 

finger of the 
nails watches 
no nails no 
cure the ing
who rejects
aid to need which

Los Angeles & 3rd - 2

2

son of Minos the simile a cow of spots three
dead vat large hat in/of snakes eating herbs living
along a chain link fence today "I'll trade you two
cigarettes for a needle and thread" what intention reference you
countered less of allowing

nets over character as power as science as pants in
hand asking Hector returns to Troy fuck this that or
E looks old today "I'm tired" locations: school factory prison
trains run out to Pasadena

and Thetis warns B "you know those shoes?" yes those
red joined street routing Trojans running across to the Mission
running back with a toothbrush "wanna trade?" wanna legitimize practice
mention that we are dancing tonight

de-centralized internal-ized restraint "pray me a new doggy, pray me"
don't let me die honey not tonight wake me doggy
pray me tonight as E sleeps no in knife-ing back
slice death to bleed death to sliced